Another point: I don't think lavaliere (tie-clip) mics have to have a cardioid pattern. Many are omnidirectional. Unless I am misunderstanding Bartek's injunction.
On Apr 5, 2011, at 9:06 AM, Sam Kirkham <[log in to unmask]> wrote:
> Hi Damien,
>
> I've used headset mics for my recent sociolinguistic interviews and haven't found them problematic at all. I used them with adolescents and they loved the novelty of putting them on (I attached the mics to Xbox360 headsets, which helped, as many of them play Xbox all the time. Others just started pretending they were working in a call centre...). I can't speak for whether I'd have obtained more 'natural' speech using lapel mics, but I'd say the speech I recorded was as natural as you're going to get in an (informal) interview situation. The resulting spectral detail is amazing too.
>
> Best wishes,
> Sam
>
> On 05/04/2011 12:05, Damien Hall wrote:
>> PLEASE NOTE MY NEW E-MAIL ADDRESS / PRIÈRE DE NOTER MA NOUVELLE ADRESSE ÉLECTRONIQUE
>>
>> Does anyone here have experience of making phonetic-dialectological (or sociophonetic) recordings with a headset mic? Please, I'd be grateful for your reflections, whether they're to do with the technical phonetic aspects of this post or the advantages and disadvantages of doing socially-focused work with an intrusive mic.
>>
>> I am putting together my kit for a dialectological project in France. Materials to be analysed will include both formal (a word-list and reading-passage) and 'informal' (conversation). I obviously want the cleanest possible recordings; for projects where naturalistic speech isn't important, that might indicate a headset mic, but dialectology and sociolinguistics aim at naturalistic speech, and it seems to me that a headset isn't the way to go for that, as presumably it would be nigh-on impossible to forget you were wearing it! I'd therefore go for a tie-clip mic, but Bartek Plichta says here
>>
>> http://akustyk.org/blog/bartek-plichta/directional-microphones-and-vowel-shifts
>>
>> that such mics are prone to distortion at a number of frequencies, including crucially the low end (below 300Hz) because of the cardioid design and proximity effect, if I've understood him correctly.
>>
>> Cleanness of the signal is obviously generally important, but it's particularly important for me because I want to look at French nasal vowels, and in nasal vowels in general the crucial information is exactly in the low-end area that Bartek says is prone to amplification by cardioid mics! So, has anyone got any tips for resolving the conundrum of
>>
>> - wanting the cleanest possible signal, but
>> - not wanting low-end distortion of the type that our most-favoured style of mic can bring?
>>
>> Many thanks!
>>
>> Damien
>>
>> --
>>
>> Damien Hall
>>
>> University of Kent (UK / Royaume-Uni)
>> Leverhulme Early Career Fellow, 'Towards a New Linguistic Atlas of France'
>> Projet de recherche: 'Vers un Nouvel Atlas Linguistique de la France'
>>
>> English Language and Linguistics, School of European Culture and Languages
>> Section de Langue et Linguistique Anglaises, Faculté de la Culture et des Langues Européennes
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>
> --
> Sam Kirkham
> PhD student, English Language and Linguistics
> University of Sheffield, UK
>
> www.samkirkham.com
>
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