No you havent, Lawrence, & it's great stuff; I'd love to be able to touch that paper. Lovely constructions....
And then do you perform them...?
Doug
On 2011-03-05, at 3:15 AM, Lawrence Upton wrote:
> Dear PEts
>
> Apologies if I have said -- I don't think so -- but Guy Begbie and I have
> a couple of collaborative book objects on exhibit at Visual Research
> Centre in Dundee until 1st April
>
> Missed the opening yesterday – we were in Bristol making a new one
>
> Anyway, there are pictures
>
> http://www.poetrybeyondtext.org/upton-begbie.html
>
> http://www.poetrybeyondtext.org/begbie-upton.html
>
> The gallery notes are strange. Especially regarding FORESHORE.
>
> I remember a few months ago going to a London gallery where a recorded
> version of a text-sound composition I made with John Drever was showing,
> reading the notes and thinking “That’s not it at all”
>
> It’s not bad here but they seem to see graphics as graphics and text as
> text though their theme is “beyond text”
>
> But I am happy to be there. They obviously like the work and see things in
> it, especially ENGINE / HOUSE that I am happy to see now they've said it
>
> Toodlepip
>
> L
>
>
> --
> Lawrence Upton
> AHRC Creative Research Fellow
> Dept of Music
> Goldsmiths, University of London
> -----
> Long interview from 1998
> http://lawrenceupton.org/data/InterviewCarolineAndrews.pdf
>
Douglas Barbour
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Just a late night pilgrim
Looking for redemption in the underground.
Lord, won't you help a late night pilgrim
When the morning comes around.
Tift Merritt
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