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PERF-STUD-NET  February 2011

PERF-STUD-NET February 2011

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Subject:

Performing Musicology - RMA Study Day

From:

Clare Hammond <[log in to unmask]>

Reply-To:

[log in to unmask]

Date:

Tue, 8 Feb 2011 09:25:53 +0000

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (62 lines)

The Royal Musical Association, City University and the Guildhall School of 
Music & Drama present


P E R F  O R M I N G   M U S I C O L O G Y 

with Keynote Speaker John Rink


A Study Day for Research Students

DEADLINE FOR PROPOSALS - 1 March 2011

Performance Space, College Building, City University, St John's Street, 
London EC1V 4PB


C A L L   F O R   P A P E R S

Over the past twenty years scholars have increasingly engaged in 
collaborations with performers as the traditional emphasis on music as 
embodied in the score has been fundamentally challenged by an understanding 
of music as sound, as event and as communicative act. These collaborations 
have often proved fruitful, yet a genuine synthesis of musicology and 
performance is still a comparatively rare phenomenon and representatives of 
both fields generally continue to conduct their professional careers on 
'home territory'. There is still immense scope for fusion of musicology and 
performance, and this Study Day aims to explore how a more fully integrated 
approach may become an innate part of our daily scholarly and creative 
activity.

Discussion might be stimulated by, but not limited to, the following 
issues:  How an analytical understanding of temporal aspects of music, 
such as narrative, shape or expression, may enhance the communicative 
impact of performance.  The role of theorising in the negotiating of 
performance strategies in new music or non-classical repertoires.  Studies 
of analytical/ musicological/ sociological approaches to music pedagogy.  
The effect of physical gesture and of visual aspects in performance on 
audience engagement and/ or the role of the audience as active participants 
in performance events.  Exploring the creative role of the performer as 
interpreter or improviser and of all performance as a form of 
(re)composition.

Abstracts of not more than 200 words for individual papers (20 minutes, 
followed by 10 minutes discussion) or lecture recitals (30 minutes, 
followed by 15 minutes discussion), detailing principal research questions 
and methodology if relevant, should be submitted by the 1 March 2011 to the 
convenor Clare Hammond ([log in to unmask]) for consideration 
by the programme committee. Proposals from those pursuing performance-based 
research are particularly welcome. Sound clips or other media which 
accompany your proposal will be considered, but are not required.

See www.performingmusicology.org.uk for further details and updates.

There will be a roundtable discussion at the end of the day. Speakers will 
include Daniel Leech-Wilkinson, Laudan Nooshin, Ian Pace and Kate Romano.

To register your intention to come to this event please contact Clare 
Hammond ([log in to unmask]) or the RMA Student Liaison 
Officer Susan Bagust ([log in to unmask]). Deadline for general 
registration is Thursday 9 June.

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