RICHARD SIEGMAN PAINTING
I drop trowel and sprint over to . . .
Gorgeous! The color is more Washington School.
Dries fast. Mention how thick.
I drop trowel and guard color.
Peruse already displayed serration.
Save markings.
Full finish shall inside stripe.
Modular circles show you the most.
Chance/slice each.
RICHARD SIEGMAN PAINTING
Trowel the positive material.
Save markings.
Full finish shall inside stripe.
Peruse already displayed serration.
Upswing valance with serpents serrated.
A circle serially serrated.
Serrate chance. Slice each copy.
Trowel trousers. No chance.
Trounce trowel-led troweler.
Traffic stripes shall be loosened /
modular circles show you the most.
Full finish shall inside stripe.
Save markings.
Trowel the positive material.
Barry Alpert / Silver Spring MD US / 1-12-11 (2:13 PM)
While retrieving the first text (posted here years ago) because a show of new work by the artist opens this Friday, another poem on the same page surprised me by its very existence. Counting 14 lines, I knew that I had tried to "finish" this poem with the title "Out-takes", and that its source had initially been generated via a modulated flarf engine. While reading it a few times, I knew it needed revision. That turned out to be not as difficult a process as presented by the cine-poem via Straub/Huillet I had been working on for 22 days, and then I went ahead and finished the cine-poem. You may be able to view examples of Richard Siegman's paintings by visiting the facebook page for him and his gallery PASS at:
http://www.facebook.com/Pass.Gallery.DC?ref=ts
|