as i read this i thought of lapiz lazuli and his jumping out the window (i
believe it was)
all the blues--you never mentioned colors and yet blue seemed implicit from
your writing
"empty space" and "the void" --i also love Yves Klein, even more from
this perspective, reading your words "utterly painting-free walls" being
especially beautiful to me
the length of the title is wonderful--it encapsulates the essence of a
philosophy vs. the quickness of an action to illustrate philosophy
---------- Forwarded message ----------
From: Barry Alpert <[log in to unmask]>
Date: Wed, May 26, 2010 at 11:01 AM
Subject: Snap The Void
To: [log in to unmask]
YVES KLEIN’S SPECIALIZATION OF SENSIBILITY IN THE RAW
MATERIAL STATE OF STABILIZED PICTORIAL SENSIBILITY
Utterly painting-free walls,
empty space without sculpture:
The Void Gallery (Happy Birthday).
Barry Alpert / Silver Spring MD US / 4-28-10
Surprised myself by writing this yesterday while reading an unlikely and at
times laughable art critic without the slightest intention in advance of
writing re his subject. Since I've been stimulated by the activity of Yves
Klein for many years, I'm happy to have rendered my first piece of writing
via. Whether it's an ekphrastic text or a homolinguistic translation . . .
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