Back when I cared about such things she was very pretty and said to
be available. Not that you could tell from me. She did submit to my
brief magazine Broadway Boogie. I never cared for her work.
Mark
At 03:58 PM 3/5/2010, you wrote:
>Very dramatic! Plus boots and mini-skirt.
>
>Hal
>
>follow this link to The Perfection of Mozart's Third Eye, my latest
>collection --
>
>http://www.scribd.com/people/documents/14481250-chalk-editions
>
>Halvard Johnson
>================
>[log in to unmask]
>http://sites.google.com/site/halvardjohnson/Home
>http://entropyandme.blogspot.com
>http://imageswithoutwords.blogspot.com
>http://www.hamiltonstone.org
>
>
>On Fri, Mar 5, 2010 at 12:49 PM, Barry Alpert <[log in to unmask]>wrote:
>
> > Hal,
> >
> > I've never heard or read a description of her public reading style. Could
> > you provide one?
> >
> > Barry
> >
> >
> > On Fri, 5 Mar 2010 10:37:26 -0600, Halvard Johnson <[log in to unmask]>
> > wrote:
> >
> > >FYI -- LL has never submitted to anything I was editing. My me, oh Lord?
> > >But I did meet her once, after a reading in Silver Spring, Md., at which
> > she
> > >preceded Henry Taylor and Stanley Plumly, who were visibly disconcerted.
> > >She was a hard act to follow, very hard.
> > >
> > >Hal
> >
Announcing The Whole Island: Six Decades of Cuban Poetry (University
of California Press).
http://go.ucpress.edu/WholeIsland
"Not since the 1982 publication of Paul Auster's Random House Book of
Twentieth Century French Poetry has a bilingual anthology so
effectively broadened the sense of poetic terrain outside the United
States and also created a superb collection of foreign poems in
English. There is nothing else like it." John Palattella in The
Nation
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