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MECCSA  March 2010

MECCSA March 2010

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Subject:

Visual Media Production Panel at International Visual Sociology Association annual conference in Bologna

From:

Einar Thorsen <[log in to unmask]>

Reply-To:

Einar Thorsen <[log in to unmask]>

Date:

Thu, 4 Mar 2010 13:25:53 +0000

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (85 lines)

On behalf of Eric Laurier - [log in to unmask]

Panel 26: From the darkroom to the kitchen table: practices and places of
visual media production

Chairs: Eric Laurier, Barry Brown and Neil Jenkings

At their outset darkrooms and cutting rooms were imagined to be places of
mere mechanical reproduction, over the longer term they have turned out to
be central to creative industry, imagination and representation in visual
media. These sites and processes of production are an under-examined part of
visual sociology, with a number of notable exceptions (e.g. Howie Becker's
chapter on Editing in 'Art Worlds', 1982). In this panel we aim to bring
together studies of what happens 'post-shooting' in the spaces constituting
the studios, dark-rooms, control rooms and photoshops of the world. Editing
encompasses a complex of hobbyist, craft and professional practices, yet it
is often deleted in accounts of film, home video and photography. Moreover
in the last decade these hobbies, crafts and professions have been
transformed as technology has both popularised editing practices, and
revolutionised amateur and professional techniques - digital media are as
likely to be handled on the kitchen table on a laptop as in a professional
studio.

We invite papers that explore empirically or theoretically the practices and
processes that occur in post-capture production spaces: the editing that
produces visual and video documents - film, photos, televisions shows and
the like.
We are particularly interested in:

* ethnographic examinations of 'production cultures'
* interactional studies of real-time studio, editing suite and related
professional practices
* analysis of workplaces specialising in visual materials
* theoretical examinations of post-production
* historical accounts of the emergence and shifts in photographic, film and
video editing worlds


The session will broadly support approaches germane to studying the
different routes through which media is assembled, configured and evaluated
on the path to different media outlets.

Presentations are limited to 20 minutes. Please send abstracts or completed
papers to:

Eric Laurier, School of Geosciences, University of Edinburgh
Barry Brown, Department of Communication, University of California, San
Diego
Neil Jenkings, Institute of Health & Society, Newcastle University
Email: [log in to unmask]




------ End of Forwarded Message


Dr. Einar Thorsen | Lecturer in Journalism and Communication

E-mail: [log in to unmask]
Twitter: http://twitter.com/einarthorsen
Phone: +44 (0)1202 965749

Editor of Three-D, official newsletter of MeCCSA:
http://www.meccsa.org.uk/newsletter

Co-Editor (with Stuart Allan) of Citizen Journalism: Global Perspectives:
http://citizenjournalism.me/

Personal blog and list of publications: http://multimediajournalism.info/

Centre for Journalism and Communication Research:
http://www.bournemouth.ac.uk/imcr/cjcr/

Address: The Media School, Bournemouth University, Talbot Campus, Poole,
BH12 5BB, UK




BU - the UK's Number One New University
The Guardian University Guide 2009 & 2010
This email is intended only for the person to whom it is addressed and may contain confidential information. If you have received this email in error, please notify the sender and delete this email, which must not be copied, distributed or disclosed to any other person.
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