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Contents
Introduction
Simon Brown and Sarah Street
Journal of British Cinema and Television, Vol. 7, No. 1: 1.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001290?ai=sh&ui=ue&af=T
Korda, Technicolor and the Zeitgeist
Charles Drazin
Journal of British Cinema and Television, Vol. 7, No. 1: 5-20.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001307?ai=sh&ui=ue&af=T
Ealing's Colour Aesthetic: Saraband for Dead Lovers
Keith Johnston
Journal of British Cinema and Television, Vol. 7, No. 1: 21-33.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001319?ai=sh&ui=ue&af=T
'In Blushing Technicolor': Colour in Blithe Spirit
Sarah Street
Journal of British Cinema and Television, Vol. 7, No. 1: 34-52.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001320?ai=sh&ui=ue&af=T
Colour Consciousness and Design in Blanche Fury as Technicolor Melodrama
Liz Watkins
Journal of British Cinema and Television, Vol. 7, No. 1: 53-68.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001332?ai=sh&ui=ue&af=T
Chromatic Borders, Cosmetic Bodies: Colour in the Films of Nicolas Roeg
Andrew Patch
Journal of British Cinema and Television, Vol. 7, No. 1: 69-81.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001344?ai=sh&ui=ue&af=T
Green Apples and Red Prawns: The Colour of Time in Peter Greenaway's A Zed & Two Noughts (Z.0.0.)
Raphaelle Costa de Beauregard
Journal of British Cinema and Television, Vol. 7, No. 1: 82-94.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001356?ai=sh&ui=ue&af=T
The Techno-politics of Colour: Britain and the European Struggle for a Colour Television Standard
Andreas Fickers
Journal of British Cinema and Television, Vol. 7, No. 1: 95-114.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001368?ai=sh&ui=ue&af=T
The Second World War in Colour: The UK History Documentary Boom and Colour Archive
Dafydd Sills-Jones
Journal of British Cinema and Television, Vol. 7, No. 1: 115-130.
http://www.euppublishing.com/doi/abs/10.3366/E174345210900137X?ai=sh&ui=ue&af=T
Early Colour Film Restoration at the BFI National Archive
Sonia Genaitay and Bryony Dixon
Journal of British Cinema and Television, Vol. 7, No. 1: 131-146.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001381?ai=sh&ui=ue&af=T
Interview
Reviving the Lost Experience of Kinemacolor: David Cleveland and Brian Pritchard
Victoria Jackson
Journal of British Cinema and Television, Vol. 7, No. 1: 147-159.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001393?ai=sh&ui=ue&af=T
Book Reviews
Pam Cook (ed.), The Cinema Book, 3rd edn (London: Palgrave Macmillan/British Film Institute, 2007), pp. xiv + 610, illus., ISBN 978 1 84457 193 2 (pb), £28.99.Robert Murphy (ed.), The British Cinema Book, 3rd edn (London: Palgrave Macmillan/British Film Institute, 2008), pp. xii + 452, illus., ISBN 978 1 84457 275 5 (pb), £18.99. Robert Kolker (ed.), The Oxford Handbook of Film and Media Studies (New York: Oxford University Press, 2008), pp. xii + 628, ISBN 978 0 19 517596 7 (hb), US$150.
James Chapman
Journal of British Cinema and Television, Vol. 7, No. 1: 160-167.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001411?ai=sh&ui=ue&af=T
James Chapman and Nicholas J. Cull, Projecting Empire: Imperialism and Popular Cinema (London and New York: I. B. Tauris, 2009), pp xii + 244, ISBN 978 1 84511 940 9 (pb), £15.99.
Brian McFarlane
Journal of British Cinema and Television, Vol. 7, No. 1: 167-171.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001423?ai=sh&ui=ue&af=T
Geoff Mayer, Roy Ward Baker (Manchester: Manchester University Press, 2005), pp. 224, illus., ISBN 978 07190 6354 1 (hb), £45.
Sally Dux
Journal of British Cinema and Television, Vol. 7, No. 1: 171-173.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001435?ai=sh&ui=ue&af=T
John C. Tibbetts, All My Loving? The Films of Tony Palmer (Houghton-le-Spring, Tyne & Wear: Voiceprint/Chrome Dreams, 2009), pp.
460, ISBN 978 1 54240 473 7 (hb), £24.99.
Kevin M. Flanagan
Journal of British Cinema and Television, Vol. 7, No. 1: 173-175.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001447?ai=sh&ui=ue&af=T
Kevin M. Flanagan (ed.), Ken Russell: Re-Viewing England's Last Mannerist (London, Toronto and Plymouth: Scarecrow Press, 2009) pp. xxv
+ 279. ISBN 978 0 8108 6954 7 (hb), £30.00/$50.00.
John A. Riley
Journal of British Cinema and Television, Vol. 7, No. 1: 176-178.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001459?ai=sh&ui=ue&af=T
Jim Leach, Doctor Who (Detroit, MI: Wayne State University Press, 2009), pp. viii + 112, illus., ISBN 978 0 8143 3308 2 (pb), £13.50.
Andrew O'Day
Journal of British Cinema and Television, Vol. 7, No. 1: 178-180.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001460?ai=sh&ui=ue&af=T
Journal of British Cinema and Television, Vol. 7, No. 1: 181.
http://www.euppublishing.com/doi/abs/10.3366/E1743452109001472?ai=sh&ui=ue&af=T
Best wishes,
Wendy Gardiner
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