newtonian ones
On Mon, Jan 18, 2010 at 1:48 PM, Patrick McManus <
[log in to unmask]> wrote:
> Is it based on figs?
>
> -----Original Message-----
> From: Poetryetc: poetry and poetics [mailto:[log in to unmask]] On
> Behalf Of Angel Robert Marquez
> Sent: 18 January 2010 21:33
> To: [log in to unmask]
> Subject: Re: double moves
>
> i made that one up.
>
> On Mon, Jan 18, 2010 at 1:26 PM, Patrick McManus <
> [log in to unmask]> wrote:
>
> > figmentational dialysis?
> > I love all this does it have meaning?
> >
> > -----Original Message-----
> > From: Poetryetc: poetry and poetics [mailto:[log in to unmask]] On
> > Behalf Of Angel Robert Marquez
> > Sent: 18 January 2010 02:10
> > To: [log in to unmask]
> > Subject: Re: double moves
> >
> > your imagination is a figment of its self. trying to bottle it up and
> > tribally communicate it does the concept an injustice. i think the
> approval
> > you seek is self organizing. the attempt to explain it to persuade harms
> > the
> > intent more than making your claim more concrete. it's a learned
> behavior.
> > i
> > understand you and want to, what else is there? but someone who does not
> > understand or care to understand will never understand. it's why we are
> all
> > dying. what is your main point you want me to take away from this? art,
> > intent, perception.... figmentational dialysis? what is more important:
> > seeing it my way or your way or understanding each other and finding a
> > common ground that does not offend or cross lines of common sense? common
> > sense is more fuzzy than any logic i've ever encountered, sure, it's all
> > fine and dandy when you read it to yourself; but, once you start share
> > mode...the desirable result is relative to the climate.
> >
> > On Sun, Jan 17, 2010 at 12:19 AM, Chris Jones <[log in to unmask]>
> > wrote:
> >
> > > On Sat, 2010-01-16 at 01:55 -0800, Angel Robert Marquez wrote
> > > > a signal is a signal
> > >
> > > The problem here is it assumes innate multiple redundancies which close
> > > down the freedom of the imaginative text and imaginative image and
> limit
> > > the double only to a foreclosed already stated future which governs
> also
> > > the image as a narrative of fore-shadowing and back-shadowing, which is
> > > also Gary Saul Morson's side shadowing argument against, in his reading
> > > of Bakhtin.
> > >
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