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The SCUDD Conference this year will be hosted by the University of Lincoln - 26-27 March
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I don't simply understand the distinction between "psychophysical" and "corss-cultural" in actor training. Do you consider "psychophysical" as the integral element/s of the art of acting or do you have some different definition attached to this term. And also how do you classify "cross-cultural" different from "psychophysical"? Where does this dichotomy come from?
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Dr. Sreenath Nair
Senior Lecturer
Lincoln School of Humanities & Performing Arts
University of Lincoln
Brayford Pool Campus
Lincoln, LN6 7TJ
United Kingdom
Tel: 0044 (0) 1522 837040
Fax: 0044 (0) 1522 886021
E-mail: [log in to unmask]
________________________________
From: SCUDD List at JISC on behalf of Grisana Punpeng
Sent: Thu 14/01/2010 17:47
To: [log in to unmask]
Subject: UK psychophysical acting pedagogies
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The SCUDD Conference this year will be hosted by the University of Lincoln - 26-27 March
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Dear all,
My name is Grisana Punpeng. I am currently studying PhD in Performance
Practice at University of Exeter. My research topic is 'Re-considering
acting pedagogies in Thailand's undergraduate drama programmes: An
application of psychophysical approaches to actor training'. The main
objective of this study is to create an alternative psychophysical
actor training model that could be employed in place of the current
approach which is, to some extent, limited to a psychological realist
paradigm.
At the moment, I am undertaking research on acting pedagogies in the
UK. My focus is on 'psychophysical approaches' and 'cross-cultural
actor training'.
Could anyone point me towards current relevant literature in this
field, or if you employ 'psychophysical' or 'cross-cultural actor
training' as terms within your own work I'd very interested to hear
from you.
Thank you very much.
Best regards,
Grisana Punpeng
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