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ISIDM  December 2009

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Subject:

Final Reminder: Audio Engineering Society 128th Convention, London, May 2010- Call for Papers

From:

Kia Ng <[log in to unmask]>

Reply-To:

Interactive Systems and Instrument Design in Music (ISIDM)

Date:

Tue, 15 Dec 2009 19:24:42 +0000

Content-Type:

text/plain

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Parts/Attachments

text/plain (65 lines)

Apologies if you receive multiple copies of this message.

AUDIO ENGINEERING SOCIETY 128th Convention, 2010 CALL for PAPERS London, UK
Dates: 2010 May 22 - May 25 **Note revised dates
www.aes.org/events/128

The AES 128th Convention Committee invites submission of technical papers for presentation at the 2010 May 20 to 23 meeting in London. By 2009 December 18, a proposed title, 60- to 120-word abstract, and 500- to 750-word précis of the paper must be submitted electronically to the AES 128th proposal submission site at www.aes.org/128th_authors. Submissions will be accepted starting approximately 2009 November 4. Presenting authors (one per paper) who are members of the AES or student members will be required to pay 60% of the member or student convention registration fees and they will receive a CD-ROM of the papers. Presenting authors who are nonmembers will pay the full nonmember registration fee and receive a CD-ROM. Acceptance of proposed papers will be determined by a peer-review committee based on an assessment of the abstract and précis. Presenting authors who are student members and whose papers are accepted for presentation will be eligible for the Student Paper Award at the 128th. The précis must clearly describe the work performed, methods employed, conclusions and significance of the paper with respect to other published work in the field. During the online submission process you will be asked to specify whether you prefer to present your paper in a lecture or poster session. Highly detailed papers are better suited to poster sessions, which permit greater interaction between author and audience. The convention committee reserves the right to reassign papers to any session. Whether a lecture or a poster, a complete electronic manuscript submitted before 2010 March 12 is required before the paper can be accepted for presentation at the convention. During the submission process, authors will be asked if their convention papers should be considered for possible publication in the AES Journal. 

Proposed topics for papers include but are not limited to:
----------------------------------------------------------
Applications in Audio
   Audio for games
   Digital broadcasting
   Forensic audio
   Automotive audio
   Audio for mobile and handheld devices
   Audio in education
   Networked, Internet, and remote audio Audio content management
   Archiving and restoration
   Digital libraries
   Automatic content description
   Audio information retrieval
Audio Processing
   Analysis and synthesis of sound
   Machine listening
   Music and speech signal processing
   High resolution audio
   Audio coding and compression
Recording, Production, and    Reproduction
   Live event and stage audio
   Mixing, remixing, and mastering
   Multichannel and spatial audio
   Room and architectural acoustics
   Sound design and reinforcement
   Studio recording techniques
Audio Equipment
   Microphones, converters, and amplifiers
   Loudspeakers and headphones
   Wireless and wearable audio
   Instrumentation and measurement
   Protocols and data formats
Perception
   Audio perception
   Hearing loss, protection, and enhancement
   Listening tests and evaluation
   Speech intelligibility
   Psychoacoustics
Emerging Audio Technologies
   Innovative applications
   Interactive sound
   New audio interfaces
   Web 2.0 technologies
   
Submission of papers schedule
-----------------------------
Proposal deadline: 2009 December 18
Acceptance emailed: 2010 January 20
Paper deadline: 2010 March 12
By 2010 January 20 authors will be advised whether or not their proposed papers have been accepted.
Please submit proposed title and abstract at www.aes.org/128th_authors no later than 2009 December 18.
If you have any questions, contact [log in to unmask]

Papers Chair: Peter Mapp, Peter Mapp Associates 
General Chair: Josh Reiss, Centre for Digital Music, Queen Mary University of London

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