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NEW-MEDIA-CURATING  June 2009

NEW-MEDIA-CURATING June 2009

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Subject:

Re: the myth of access

From:

Myron Turner <[log in to unmask]>

Reply-To:

Myron Turner <[log in to unmask]>

Date:

Tue, 23 Jun 2009 10:10:15 -0500

Content-Type:

text/plain

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Parts/Attachments

text/plain (91 lines)

I looked at CASPAR, watched their videos and tried to sort out some 
information from their extensive set of documents.  But I wasn't able to 
get a handle on  just how they plan to create "technology-neutral" 
solutions for technology-dependent projects.  Earlier in the discussion 
dance was mentioned as a model for creating "universal" systems of 
access.  But any art form which is rooted in a score or a script is 
already malleable.  But that's not really analogous to 
technology-dependent art.  A simple example.  Recently the HD on my 
local web development server failed and so when I re-configured it, I 
moved from a 32-bit Linux system to 64 bit.  Some things simply don't 
work, in particular certain Open Source facilities which haven't been 
kept up to date. 

Jon Ippolito just wrote about a Metaserver for accessing archives across 
a multiplicity of architectures.  This kind of "universalizing"  works 
because it hides the technological particulars behind a generalized 
interface.  Libraries already have this kind of access; they can use any 
local database system as long as its search facilities support the 
Z39.50 protocol.  But what CASPAR seems to be  aiming at is something 
else, not a met-architecture sitting on top of a multiplicity of local 
architectures, but what they refer to as a 'modular' substitute for the 
local systems--I think.   I'd appreciate any information about just how 
CASPAR plans to work their magic.

Thanks,


Myron

Caroline Langill wrote:
> Hello again,
>
> Ghislaine, CASPAR is a great organization to introduce into this discussion.
>
> At last year's DOCAM conference they gave quite an extensive presentation. What struck me about their model was the potential for its use earlier in the life of a project. It is difficult to describe here, and those of you interested should take a look at their site, but it seemed to me that artists - particularly those in collaborative practices - could use the CASPAR methodology much earlier in the process, well before the preservation stage. I spoke with one of the speakers about this possibility, about entering into a relationship with CASPAR at the production stage, which would create a network and database for collaborators to communicate through. 
>
> I'm not sure if they have pursued this at all, but they were intrigued by the possibility.
>
> Caroline
>
>
>
>   
>> Date: Fri, 19 Jun 2009 16:28:19 +0100
>> From: [log in to unmask]
>> Subject: Re: [NEW-MEDIA-CURATING] the myth of access
>> To: [log in to unmask]
>>
>> Dear all
>>
>> maybe these projects have been already mentioned earlier in the debate
>> but just in case it would be good to reference them as they are  
>> "aiming" at dealing with preservation of knowledge, intelligence and  
>> the non permanent work out there, including multimedia performance
>>
>>
>> 1. CASPAR - Cultural, Artistic and Scientific knowledge for  
>> Preservation, Access and Retrieval
>>
>> http://www.casparpreserves.eu/
>>
>> " How can digital data still be used and understood in the future when  
>> systems, software, and everyday knowledge continues to change? This is  
>> the CASPAR challenge. CASPAR methodological and technological solution:
>> • is compliant to the OAIS Reference Model - the main standard of  
>> reference in digital preservation
>> • is technology-neutral: the preservation environment could be  
>> implemented using any kind of emerging technology
>> • adopts a distributed, asynchronous, loosely coupled architecture and  
>> each key component is self-contained and portable: it may be deployed  
>> without dependencies on different platform and framework
>> • is domain independent: it could be applied with low additional  
>> effort to multiple domains/contexts.
>> • preserves knowledge and intelligibility, not just the “bits”
>> • guarantees the integrity and identity of the information preserved  
>> as well as the protection of digital rights"
>>
>>     

-- 

_____________________
Myron Turner
http://www.room535.org
http://www.mturner.org
http://net18reaching.org/cityscapes
_________________________________________________________
Searchable Database of Art and New Media News Feeds
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