Other than Camera Obscura, could list members kindly suggest journals which may consider publishing a Freudian/Foucauldian reading of a US television series (crime verite genre)?  Many thanks.


----- Original Message -----
From: Anna Dzenis <[log in to unmask]>
Date: Sunday, May 3, 2009 7:36 pm
Subject: Screening The Past Issue 24
To: [log in to unmask]


> SCREENING THE PAST ISSUE 24 is now online. (Apologies for cross-postings)
>  http://www.latrobe.edu.au/screeningthepast/index.html
>  
>   
>  FIRST RELEASE 
>  Peer reviewed articles, published here for the first time
>  Papers from the 2008 Film and History Association of Australia and New
>  Zealand Conference
>  Therese Davis, Indigenising Australian History: Contestation and
>  Collaboration in First Australians .
>  Stephanie Hanson, ³Electrical wonders of the present age²: 
> cinema-going on
>  the Far South Coast of NSW and rural discourses of modernity
>  Ann Hardy, From mokomokai to upoko tuhi: changing representations of 
> Maori
>  cultural property in film.
>  Mike Ingham, History in the Making: Allegory, history, fiction and Chow
>  Yun-fat in the 1980s Hong Kong films Hong Kong 1941 (Dir. Po Chieh-leong)
>  and Love in a Fallen City (Dir. Ann Hui)
>  John Finlay Kerr, ŒRereading¹ Be Kind Rewind (USA 2008): How film history
>  can be remapped through the social memories of popular culture
>  George Kouvaros, ³Those Who Wait²: The Misfits and Late Style
>  Jane Mills, First Nation Cinema: Hollywood¹s Indigenous ŒOther¹
>  Tyson Namow, In-and-Out of the Historical Imaginary with Eisner and Herzog
>  Dylan Walker, The Only Fun We Have Once in Three Weeks: Rural 
> Exhibition on
>  the Eyre Peninsula in the 1930s
>  Amy West, Making Television History: The Past made Present in Reality
>  Television¹s Pioneer House
>   
>  Sam Rohdie, Three Essays  .
>   
>  CLASSICS AND RERUNS
>  Adrian Martin, ³It Has Come to My Ears²: Fritz Lang¹s Sound Design
>  
>  REVIEWS
>  Feature Review: Bill Routt reviews Ford At Fox: Part Two (a)
>  Deborah Allison reviews Paul Meehan, Tech-Noir: The Fusion of Science
>  Fiction and Film Noir
>  Ryan Cook reviews Lisa Downing and Sue Harris (eds.), From Perversion 
> to
>  Purity: The Stardom of Catherine Deneuve
>  Jonah Corne reviews Charles R. Acland (ed), Residual Media
>  Colin Crisp reviews Geneviève Sellier, Masculine Singular: French New 
> Wave
>  Cinema (trans Kristin Ross)
>  Sean Cubitt reviews Michel Pastoureau, Black: The History of a Colour
>  James Curnow reviews James Herrick, Scientific Mythologies: How 
> Science and
>  Science Fiction Forge New Religious Beliefs
>  Anna Dzenis reviews Adrian Martin, ³What is Modern Cinema?².
>  Maura Edmond reviews Alison Griffiths, Shivers Down Your Spine: Cinema,
>  Museums, and the Immersive View
>  Tony Fonseca reviews Louis Kaplan, The Strange Case of William Mumler,
>  Spirit Photographer .
>  Mas Generis reviews Joram ten Brink (ed), Building Bridges: The 
> Cinema of
>  Jean Rouch (Preface by Michael Renov)
>  Ina Rae Hark reviews Richard Allen, Hitchcock¹s Romantic Irony .
>  Alexandra Heller-Nicholas reviews Joanna Bourke, Rape: A History from 
> 1860
>  to the Present 
>  Jan-Christopher Horak reviews Jennifer Fay, Theatres of Occupation.
>  Hollywood and the Reeducation of Postwar Germany
>  Zachary Hoskins reviews Stephen J. Nichols, Jesus: Made in America
>  Irene Javors reviews Linda Williams, Screening Sex
>  D.B. Jones reviews Gerd Gemünden, A Foreign Affair: Billy Wilder¹s American
>  Films .
>  Roger Macy reviews Abé Mark Nornes, Forest of Pressure ­ Ogawa 
> Shinsuke and
>  Postwar Japanese Documentary
>  Christian McCrea reviews Anna Powell, Deleuze and Horror Film
>  Jaime S. Ong reviews Joseph Epstein, Fred Astaire
>  Violetta Petrova reviews Marvin D¹Lugo, Pedro Almodóvar
>  Mike Walsh reviews Alistair Phillips and Julian Stringer (eds.), Japanese
>  Cinema: Texts and Contexts
>  
>  *
>  *
>  Film-Philosophy salon
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