I've just posted this on
http://electronicmuseum.org.uk/2009/03/04/creative-spaces-justwhy/
#comment-7770
- but to keep this on the list, I'm also copying here
So much information - so little time… I have been led here by the mcn
list discussion about Creative Spaces and then bounced back and forth
between various blogs, tweets and websites. Never mind the occasional
intemperance - it just shows what riches a bit of passion can bring
forth.
In my view we should now focus on how we move forward - maximising
the value of the resources that we have created. The key phrases for
the non-techie like myself are “improve metadata”, “understand search
technology”, “resolve copyright issues” and please let’s have some
common standards of research into “what users actually want and do”.
Clearly, in our sector, funder requirements are key. Comparable
projects in the commercial world have to be user-driven or they die -
surely funders now need to follow this line and be far more specific
about the management reports that they require from projects so that
everyone’s desire to research the real value of these resources can
be more efficiently monitored and evaluated. Commercial projects
aren’t likely to share this kind of research - it would threaten
their business models. The cultural heritage community should have
every reason in the world to share their user research and findings.
“Creative Spaces” and the myriad of other projects are a terrific
beginning. We now need not only the ‘About’ pages that George has
requested but also some beautifully-presented pages that will help
the funders, and the collection managers and directors, clearly see
how users are interacting with the information. Instead of this, I
see acres of speculation…… We now have a fantastic fund of people who
are clearly able to produce this information and present it
beautifully, given the right direction. And this information can then
drive the policies.
This has been a fascinating discussion with some really golden
nuggets of information and many inspirational ideas. Anyone who wants
to get a glimpse of how difficult it must have been to create
“Creative Spaces” should check out Giv’s heartfelt blog at http://
www.givp.org/2009/02/09/its-not-always-about-the-technology/ and if
you haven’t seen it already check out their YouTube contribution at
http://www.youtube.com/watch?v=I3WJZreYF18 . This at least gives you
their version of ‘Why?’ - and reflects the views of all the museum
community online websites that I have come into contact with (many….).
As a consultant, I have spent a great deal of my own time this last
few years just keeping up with the fast pace of developments in the
areas of metadata improvement, search technology, and copyright
issues. I don’t see the same thing happening with user analysis
(although surely this cannot be true of the education sector). So, if
its out there, let’s hear about it.
In this respect, a major disadvantage of cultural as opposed to
commercial projects is the short term goals that funded projects
have. Digitise the content, create a website (or portal), and that’s
it. Too many funded projects create workflows and processes that
actually inhibit sharing and integration of these resources. Projects
like “Creative Spaces” and, yes, the European Digital Library
(Europeana) are opportunities for research that can allow us to look
back into the content and resolve most of the issues raised in these
discussions. Let’s focus on harvesting the hidden values and insist
on short term projects conforming to long term goals that are
measured by common standards. Facts not opinions. Measurement not
uninformed judgment.
I’m assuming you all agree….. (not that opinions and uninformed
judgments aren’t a lot of fun of course…). Without some more
attractive, user-friendly, hard information we’re never going to be
able to persuade the ‘powers-that-be’ of the value.
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