Stephen,
I believe I can visualize your process of composition while witnessing a poet read, but I'm
not quite sure whether the "Lincoln haptic" on your blog was realized while watching two
unnamed authors on C-Span TV. Or afterwards.
How do you envision the process of critical understanding of each haptic? I feel
comfortable with my interpretation of Anthony McCall's films in light of the shared aesthetic
of structural film, but your works exist outside that context.
Barry
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