Methinks that this "future" has been around for quite
a while now, Stephen.
Hal
"There are some things that are so serious that
you can only joke about them."
--Niels Bohr
Halvard Johnson
================
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On Jan 22, 2009, at 6:51 PM, Stephen Vincent wrote:
> It is curious to imagine now - in 'the concordance of the future' -
> one will be able to look at both handwritten mss. (if there is one),
> the published version (with its punctuation as well as all the other
> things that make a page a page) and then 2 or 3 versions of spoken
> renditions - by poet, by performer, with or without music, or done
> as an improv with, say, a scat version as different from a
> 'straight' version.
> In other words, strict, orthodox interpretations of a particular
> poem will be laughably odd.
> What one does with the core of a poem will be entirely flexible and
> no doubt judged well, bad or indifferent by the historical context
> and quality of means of its 'production.'
>
> Good-bye canon, as such, this one says, 'canonearly'!
>
> Stephen V
> http://stephenvincent.net/blog/
> Now featuring the First 100 Days of Obama, haptics & texts.
>
>
> --- On Thu, 1/22/09, Robin Hamilton <[log in to unmask]>
> wrote:
> From: Robin Hamilton <[log in to unmask]>
> Subject: Re: Inverted commas and such
> To: [log in to unmask]
> Date: Thursday, January 22, 2009, 3:56 PM
>
> Seems to be an excellent piece, Doug, part of a larger series of
> discussions on
> MS study, and (the part I URLed) drawing on Parkes' _Pause and
> Effect_.
>
> Following through on Christopher's heads-up, I had a look (ain't
> google
> books wonderful?) at Isadore of Seville's _Etymologies_, I.20.
>
> Sheesh!! Talk about Rube Goldberg!! Only excelled by I.21, dealing
> with
> "the 26 critical marks placed in poetry."
>
> <g>
>
>
> http://books.google.com/books?id=igxC93_A-fIC&pg=PT53&lpg=PT53&dq=Isidore+Etymologies+punctuation&source=bl&ots=kZR2ZhQ0Pq&sig=YwtKVK5zZtKNNwZxBRH6mtNUg54&hl=en&sa=X&oi=book_result&resnum=8&ct=result#PPT54,M1
>
> ... but I'd argue that Isadore there makes my point, in that he
> seems to be
> primarily (entirely?) concerned by the way that pointing in MSS
> reflects the
> spoken voice.
>
> He does seem to carry it to an extreme, admittedly, and whether MSS
> were ever
> *actually scored to the extent that he implies, I wonder ...
>
> Robin
>
> ----- Original Message ----- From: "Douglas Barbour"
> <[log in to unmask]>
> To: <[log in to unmask]>
> Sent: Thursday, January 22, 2009 11:38 PM
> Subject: Re: Inverted commas and such
>
>
>> Geez, I might have known my old pal, Stephen Reimer would fit in
>> here...
> Good for UofA.
>>
>> Doug
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