hi,
As a subscriber to these bullitns I have to let you know that I seem to get
about 90% gobblediguke...in my messages.
Is their somthing wrong with my email, or is this just a result of crossing
formats over?? It would be great to get the summaries in clear text only.
many thanks,
Ed Cooper
----- Original Message -----
From: "DRAWING-RESEARCH automatic digest system" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Thursday, October 30, 2008 12:01 AM
Subject: DRAWING-RESEARCH Digest - 28 Oct 2008 to 29 Oct 2008 (#2008-129)
> There are 2 messages totalling 431 lines in this issue.
>
> Topics of the day:
>
> 1. Opening at Centre for Recent Drawing: Abandoned by a Third Dimension
> 2. life drawings
>
> ----------------------------------------------------------------------
>
> Date: Wed, 29 Oct 2008 06:46:08 +0000
> From: C4RD - Centre for Recent Drawing <[log in to unmask]>
> Subject: Opening at Centre for Recent Drawing: Abandoned by a Third
> Dimension
>
> --Apple-Mail-3--5050429
> Content-Type: text/plain;
> charset=WINDOWS-1252;
> format=flowed;
> delsp=yes
> Content-Transfer-Encoding: quoted-printable
>
>
> Centre for Recent Drawing presents Abandoned by a Third Dimension, a =20
> exhibition of contemporary artists George Charman, Benjamin Jenner, =20
> Lene Shepherd and Viktor Timofeev, whose work has in common the use of
> =20=
>
> drawing modes familiar to architectural representation.
>
> These artists allow us to glimpse a world where the instructional, =20
> technical use of drawing conventionally used to illuminate space and =20
> possibility short-circuits its own logic. The viewer is left to =20
> negotiate a universe, whose internal logic is regulated by quasi-=20
> maquette and flatness, abandoned by a third dimension. The drawings =20
> play with modernist architectural design reference, often providing =20
> vertiginous experiences that force contradictions in function and =20
> form. These drawings resist the conventional articulation the space of
> =20=
>
> architectural rendering whilst offering a platform for the conception =20=
>
> of multiple modes of existence.
>
> George Charman examines the architectural model's position between an =20=
>
> imagined space and real structure, in relation to his belief that =20
> interpretation of reality is based on an assumption of likely =20
> outcomes. Through the manipulation of line, perspective, surface and =20
> depth, Charman creates models that aim to disrupt the viewers=92 =20
> interpretation of reality.
>
> The drawings of Benjamin Jenner often appear to function as =20
> architectural plans in support of a real structure, that fundamentally
> =20=
>
> suggest dimensions and scale. For Jenner, establishing scale is the =20
> first step to determining function. Unknown scale halts the images =20
> ascension to the real world. Instead his drawings act to destroy an =20
> illusion of space - flattening their ground. The drawing becomes it =20
> own ultimate realisation.
>
> Shepherd creates images that seek to blur boundaries between tangible =20=
>
> and imagined space. Her drawings act as diving boards from which =20
> imagination leaps into the depths of spatial possibility. The =20
> potential proliferates in the mind with no need to be realised in =20
> three dimensions. Shepherd hopes this will act to encourage the viewer
> =20=
>
> to investigate and understand their own spatial situation.
>
> Timofeev often invokes an element of irrupted observation in his work,
> =20=
>
> suggesting the impossibility of the maintaining the architecture's =20
> integrity. His recent work involves the delicate and careful rendering
> =20=
>
> of architectural models he has constructed and then damaged. The =20
> architectural object is transubstantiated as still life, attendant on =20=
>
> obsolescence and decay.
>
> Please join us for the opening reception for this exhibition 6 - 8pm 6
> =20=
>
> November 2008 or during the exhibition 7 - 28 November 2008. Centre =20
> for Recent Drawing is open from 12 - 6pm Wednesday to Friday during =20
> exhibition times at 2 - 4 Highbury Station Road, Highbury Islington =20
> London. C4RD is Registered UK Charity 1123530 and would particularly
> =20=
>
> like to acknowledge the support for this exhibition of ARTUPDATE.COM/.
>
>
>
>
> Centre for Recent Drawing
> 2-4 Highbury Station Road LONDON N1 1SB
> Wed-Fri 12-6 (Highbury/Islington tube/rail)
> www.c4rd.org.uk +44 (0) 20 32396936
> Registered Charity No. 1123530
>
>
> --Apple-Mail-3--5050429
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> Content-Transfer-Encoding: quoted-printable
>
> <html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
> -webkit-line-break: after-white-space; "><p style=3D"margin: 0.0px 0.0px =
> 0.0px 0.0px; text-align: center; font: 12.0px Helvetica"></p><div =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; text-align: center; font: normal normal normal =
> 12px/normal Helvetica; min-height: 14px; "><br></div><div =
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> margin-left: 0px; text-align: justify; font: normal normal normal =
> 13px/normal Helvetica; color: rgb(102, 102, 102); "><b>Centre for Recent =
> Drawing presents <i>Abandoned by a Third Dimension</i>, a exhibition of =
> contemporary artists George Charman, Benjamin Jenner, Lene Shepherd and =
> Viktor Timofeev, whose work has in common the use of drawing modes =
> familiar to architectural representation.</b></div><div =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; text-align: justify; font: normal normal normal =
> 13px/normal Helvetica; color: rgb(102, 102, 102); min-height: 16px; =
> "><b></b><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
> margin-bottom: 0px; margin-left: 0px; text-align: justify; font: normal =
> normal normal 13px/normal Helvetica; color: rgb(102, 102, 102); =
> "><b>These artists allow us to glimpse a world where the instructional, =
> technical use of drawing conventionally used to illuminate space and =
> possibility short-circuits its own logic. The viewer is left to =
> negotiate a universe, whose internal logic is regulated by =
> quasi-maquette and flatness, abandoned by a third dimension. The =
> drawings play with modernist architectural design reference, often =
> providing vertiginous experiences that force contradictions in function =
> and form. These drawings resist the conventional articulation the space =
> of architectural rendering whilst offering a platform for the conception =
> of multiple modes of existence. </b></div><div =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; text-align: justify; font: normal normal normal =
> 13px/normal Helvetica; color: rgb(102, 102, 102); min-height: 16px; =
> "><b></b><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
> margin-bottom: 0px; margin-left: 0px; text-align: justify; font: normal =
> normal normal 13px/normal Helvetica; color: rgb(102, 102, 102); =
> "><b>George Charman examines the architectural model's position between =
> an imagined space and real structure, in relation to his belief that =
> interpretation of reality is based on an assumption of likely outcomes. =
> Through the manipulation of line, perspective, surface and depth, =
> Charman creates models that aim to disrupt the viewers=92 interpretation =
> of reality.</b></div><div style=3D"margin-top: 0px; margin-right: 0px; =
> margin-bottom: 0px; margin-left: 0px; text-align: justify; font: normal =
> normal normal 13px/normal Helvetica; color: rgb(102, 102, 102); =
> min-height: 16px; "><b></b><br></div><div style=3D"margin-top: 0px; =
> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; text-align: =
> justify; font: normal normal normal 13px/normal Helvetica; color: =
> rgb(102, 102, 102); "><b>The drawings of Benjamin Jenner often appear to =
> function as architectural plans in support of a real structure, that =
> fundamentally suggest dimensions and scale. For Jenner, establishing =
> scale is the first step to determining function. Unknown scale halts the =
> images ascension to the real world. Instead his drawings act to destroy =
> an illusion of space - flattening their ground. The drawing becomes it =
> own ultimate realisation. </b></div><div =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; text-align: justify; font: normal normal normal =
> 13px/normal Helvetica; color: rgb(102, 102, 102); min-height: 16px; =
> "><b></b><br></div><div style=3D"margin-top: 0px; margin-right: 0px; =
> margin-bottom: 0px; margin-left: 0px; text-align: justify; font: normal =
> normal normal 13px/normal Helvetica; color: rgb(102, 102, 102); =
> "><b>Shepherd creates images that seek to blur boundaries between =
> tangible and imagined space. Her drawings act as diving boards =
> from which imagination leaps into the depths of spatial possibility. The =
> potential proliferates in the mind with no need to be realised in three =
> dimensions. Shepherd hopes this will act to encourage the viewer to =
> investigate and understand their own spatial =
> situation. </b></div><div style=3D"margin-top: 0px; =
> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; text-align: =
> justify; font: normal normal normal 13px/normal Helvetica; color: =
> rgb(102, 102, 102); min-height: 16px; "><b></b><br></div><div =
> style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; text-align: justify; font: normal normal normal =
> 13px/normal Helvetica; color: rgb(102, 102, 102); "><b>Timofeev often =
> invokes an element of irrupted observation in his work, suggesting the =
> impossibility of the maintaining the architecture's integrity. His =
> recent work involves the delicate and careful rendering of architectural =
> models he has constructed and then damaged. The architectural object is =
> transubstantiated as still life, attendant on obsolescence and =
> decay. </b></div><div style=3D"margin-top: 0px; margin-right: 0px; =
> margin-bottom: 0px; margin-left: 0px; text-align: justify; font: normal =
> normal normal 13px/normal Helvetica; color: rgb(102, 102, 102); =
> min-height: 16px; "><b></b><br></div><div style=3D"margin-top: 0px; =
> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; text-align: =
> justify; font: normal normal normal 13px/normal Helvetica; color: =
> rgb(102, 102, 102); "><b>Please join us for the opening reception for =
> this exhibition 6 - 8pm 6 November 2008 or during the exhibition 7 - 28 =
> November 2008. Centre for Recent Drawing is open from 12 - 6pm Wednesday =
> to Friday during exhibition times at 2 - 4 Highbury Station Road, =
> Highbury Islington London. C4RD is Registered UK =
> Charity 1123530 and would particularly like to acknowledge the support =
> for this exhibition of ARTUPDATE.COM/.</b></div><div style=3D"margin-top:
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> after-white-space; "><span class=3D"Apple-style-span" =
> style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
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> auto; -webkit-text-stroke-width: 0px; "><div style=3D"word-wrap: =
> break-word; -webkit-nbsp-mode: space; -webkit-line-break: =
> after-white-space; "><span class=3D"Apple-style-span" =
> style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: =
> Helvetica; font-size: 12px; font-style: normal; font-variant: normal; =
> font-weight: normal; letter-spacing: normal; line-height: normal; =
> orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; =
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> -webkit-border-vertical-spacing: 0px; =
> -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
> auto; -webkit-text-stroke-width: 0px; "><div><div style=3D"text-align: =
> center; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =
> margin-left: 0px; "><font face=3D"Helvetica" size=3D"6" color=3D"#666666"
> =
> style=3D"font: normal normal normal 24px/normal Helvetica; color: =
> rgb(102, 102, 102); "><b>Centre for Recent Drawing</b></font></div><div =
> style=3D"text-align: center; margin-top: 0px; margin-right: 0px; =
> margin-bottom: 0px; margin-left: 0px; "><font face=3D"Helvetica" =
> size=3D"4" color=3D"#666666" style=3D"font: normal normal normal =
> 14px/normal Helvetica; color: rgb(102, 102, 102); "><b>2-4 Highbury =
> Station Road LONDON N1 1SB </b></font></div><div =
> style=3D"text-align: center; margin-top: 0px; margin-right: 0px; =
> margin-bottom: 0px; margin-left: 0px; "><font face=3D"Helvetica" =
> size=3D"4" color=3D"#666666" style=3D"font: normal normal normal =
> 14px/normal Helvetica; color: rgb(102, 102, 102); "><b>Wed-Fri =
> 12-6 (Highbury/Islington tube/rail)</b></font></div><div =
> style=3D"text-align: center; margin-top: 0px; margin-right: 0px; =
> margin-bottom: 0px; margin-left: 0px; "><font face=3D"Helvetica" =
> size=3D"4" color=3D"#666666" style=3D"font: normal normal normal =
> 14px/normal Helvetica; color: rgb(102, 102, 102); "><a =
> href=3D"http://www.c4rd.org.uk/" style=3D"text-decoration: none; "><font =
> color=3D"#001fe8" style=3D"color: rgb(0, 31, 232); "><u =
> style=3D"text-decoration: none; "><b style=3D"text-decoration: =
> underline; ">www.c4rd.org.uk</b></u></font></a><b> =
> +44 (0) 20 32396936</b></font></div><div style=3D"text-align: center; =
> margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: =
> 0px; "><font face=3D"Helvetica" size=3D"4" color=3D"#666666" =
> style=3D"font: normal normal normal 14px/normal Helvetica; color: =
> rgb(102, 102, 102); "><b>Registered Charity No. =
> 1123530</b></font></div></div></span></div></span></div></span></div></spa=
> n></div></span></div></span></div></span> </div><br></body></html>=
>
> --Apple-Mail-3--5050429--
>
> ------------------------------
>
> Date: Wed, 29 Oct 2008 09:23:24 +0000
> From: lizzie chubb <[log in to unmask]>
> Subject: Re: life drawings
>
> --_de603aec-9af6-4a3b-a603-09995e2c60af_
> Content-Type: text/plain; charset="Windows-1252"
> Content-Transfer-Encoding: quoted-printable
>
> I agree with you about the personal value of drawings. Somehow my
> drawings=
> seem much more part of me that any finished products that I produce=2C ad
> =
> in many ways I am much more sensitive of criticism of them. The drawings
> s=
> eem to be more a part of my tinking that the final pieces so I can
> understa=
> nd your nervousness.
>
> Best of Luck with your exhibition.
>
> Lizzie Chubb
>
>
>
> Date: Tue=2C 28 Oct 2008 18:27:06 +0000
> From: [log in to unmask]
> Subject: life drawings
> To: [log in to unmask]
>
> On recently helping curate an exhibition of drawings (including some of my
> =
> own life drawings)=2C the question that has been bumping around in my
> brain=
> for a few years now came up again. As to whether life drawings are
> realise=
> d=2C complete pieces of artwork and can stand up for themselves or are as
> s=
> trong along side an exhibition of peoples work who use drawing not as a
> mea=
> ns to an end but as the final artwork.=20
> Is it less of a finished piece if the drawing is closer to an intuitive
> res=
> ponse to a form than a conscious and deliberate setting out to =91make an
> a=
> rtwork=92?
> I am known as a sculptor but I drew first. Drawing has huge benefits to me
> =
> in so many ways=3B it is something I have to do. I have never wanted to
> sel=
> l my drawings as I value them more highly than my sculptures=2C as to me
> th=
> ey seem unique=2C irreplaceable. I cast my sculptures into editions so can
> =
> always keep an artists copy=2C although I keep a scan of the drawing they
> f=
> eel a part of me=2C like selling something personal. But I have to make a
> l=
> iving and selling them gives me time to make more=2C I have to be
> practical=
> !=20
> I have a big show coming up and am selling and therefore pricing my
> drawing=
> s=2C hence this nervousness! but it is something I have often thought
> about=
> and would be interested to have some thoughts
>
> best wishes
> carol
> www.carolpeace.com
> _________________________________________________________________
> See the most popular videos on the web=20
> http://clk.atdmt.com/GBL/go/115454061/direct/01/=
>
> --_de603aec-9af6-4a3b-a603-09995e2c60af_
> Content-Type: text/html; charset="Windows-1252"
> Content-Transfer-Encoding: quoted-printable
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> <html>
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> <body class=3D'hmmessage'><div style=3D"text-align: left=3B">I agree with
> y=
> ou about the personal value of drawings. =3B Somehow my drawings seem
> m=
> uch more part of me that any finished products that I produce=2C ad in
> many=
> ways I am much more sensitive of criticism of them. =3B The drawings
> s=
> eem to be more a part of my tinking that the final pieces so I can
> understa=
> nd your nervousness.<br><br>Best of Luck with your
> exhibition.<br><br>Lizzi=
> e Chubb<br></div><br><br><br><hr id=3D"EC_stopSpelling">Date: Tue=2C 28
> Oct=
> 2008 18:27:06 +0000<br>From: [log in to unmask]<br>Subject: life
> drawing=
> s<br>To: [log in to unmask]<br><br><div>On recently helping
> cu=
> rate an exhibition of drawings (including some of my own life drawings)=2C
> =
> the question that has been bumping around in my brain for a few years now
> c=
> ame up again. As to whether life drawings are realised=2C complete pieces
> o=
> f artwork and can stand up for themselves or are as strong along side an
> ex=
> hibition of peoples work who use drawing not as a means to an end but as
> th=
> e final artwork. =3B</div><div><br></div><div><b>Is it less of a
> finish=
> ed piece if the drawing is closer to an intuitive response to a form than
> a=
> conscious and deliberate setting out to =91make an
> artwork=92?</b></div><d=
> iv><br></div><div>I am known as a sculptor but I drew first. Drawing has
> hu=
> ge benefits to me in so many ways=3B it is something I have to do. I have
> n=
> ever wanted to sell my drawings as I value them more highly than my
> sculptu=
> res=2C as to me they seem unique=2C irreplaceable. I cast my sculptures
> int=
> o editions so can always keep an artists copy=2C although I keep a scan of
> =
> the drawing they feel a part of me=2C like selling something personal. But
> =
> I have to make a living and selling them gives me time to make more=2C I
> ha=
> ve to be =3Bpractical! =3B</div><div><br></div><div>I have a big
> sh=
> ow coming up and am selling and =3Btherefore =3Bpricing my
> drawings=
> =2C =3Bhence =3Bthis =3Bnervousness! but it is something I
> have=
> often thought about and would be interested to have some
> thoughts</div><di=
> v><br></div><div><br></div><div><div style=3D"margin-right: 0px=3B
> margin-b=
> ottom: 0px=3B margin-left: 0px=3B font-family: Helvetica=3B font-style:
> nor=
> mal=3B font-variant: normal=3B font-weight: normal=3B font-size: 12px=3B
> li=
> ne-height: normal=3B font-size-adjust: none=3B font-stretch:
> normal=3B -x-s=
> ystem-font: none=3B">best wishes</div><div style=3D"margin-right: 0px=3B
> ma=
> rgin-bottom: 0px=3B margin-left: 0px=3B font-family: Helvetica=3B
> font-styl=
> e: normal=3B font-variant: normal=3B font-weight: normal=3B font-size:
> 12px=
> =3B line-height: normal=3B font-size-adjust: none=3B font-stretch: normal=
> =3B -x-system-font: none=3B"><br></div><div style=3D"margin-right: 0px=3B
> m=
> argin-bottom: 0px=3B margin-left: 0px=3B font-family: Helvetica=3B
> font-sty=
> le: normal=3B font-variant: normal=3B font-weight: normal=3B font-size:
> 12p=
> x=3B line-height: normal=3B font-size-adjust: none=3B font-stretch:
> normal=
> =3B -x-system-font: none=3B">carol</div><div style=3D"margin-right: 0px=3B
> =
> margin-bottom: 0px=3B margin-left: 0px=3B font-family: Helvetica=3B
> font-st=
> yle: normal=3B font-variant: normal=3B font-weight: normal=3B font-size:
> 12=
> px=3B line-height: normal=3B font-size-adjust: none=3B font-stretch:
> normal=
> =3B -x-system-font: none=3B"><br></div><div style=3D"margin-right: 0px=3B
> m=
> argin-bottom: 0px=3B margin-left: 0px=3B font-family: Helvetica=3B
> font-sty=
> le: normal=3B font-variant: normal=3B font-weight: normal=3B font-size:
> 12p=
> x=3B line-height: normal=3B font-size-adjust: none=3B font-stretch:
> normal=
> =3B -x-system-font: none=3B"><a href=3D"http://www.carolpeace.com" target=
> =3D"_blank">www.carolpeace.com</a></div></div><br /><hr />For the best
> free=
> wallpapers from MSN <a
> href=3D'http://wallpapers.msn.com/?ocid=3D[B001MSN=
> 42A0716B]' target=3D'_new'>Click here!</a></body>
> </html>=
>
> --_de603aec-9af6-4a3b-a603-09995e2c60af_--
>
> ------------------------------
>
> End of DRAWING-RESEARCH Digest - 28 Oct 2008 to 29 Oct 2008 (#2008-129)
> ***********************************************************************
>
>
>
> --
> No virus found in this incoming message.
> Checked by AVG.
> Version: 7.5.549 / Virus Database: 270.8.4/1751 - Release Date: 27/10/2008
> 22:44
>
>
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