Dear Tom

Yes spring 09. Call for papers deadline is now 1st December 08. I'll post another announcement as soon as the web page is live

Thanks 

Vanessa


-----Original Message-----
From: The UK drawing research network mailing list [mailto:[log in to unmask]] On Behalf Of Tom McGuirk
Sent: 12 May 2008 14:12
To: [log in to unmask]
Subject: Re: Call for participants/papers Creative Research/Creative Practice: Materiality/Process/Performativity

Hi Vanessa 

I was also interested but had the same problem. Also, as to the rescheduling, surely you mean Spring '09 ?? Thanks for the update and look forward to hearing more. 

Kind regards 

Tom


Dr. Tom McGuirk   ANCAD  BA-fine art,  PhD
Vulkangade 7 st. th.
2200 Copenhagen N. Denmark

> ----- Original Message -----
> From: "Vanessa Corby (V.Corby)" <[log in to unmask]>
> To: [log in to unmask]
> Subject: Re: Call for participants/papers Creative Research/Creative Practice: Materiality/Process/Performativity
> Date:         Mon, 12 May 2008 13:18:42 +0100
> 
> 
> Dear Carolyn
> 
> Thanks for getting back to me. The web page has just been pulled as 
> the conference is to be rescheduled to Spring 08. So if you'd like 
> to delete my post I'll resend it when the date has been finalised.
> 
> Best wishes
> 
> Vanessa
> 
> 
> -----Original Message-----
> From: The UK drawing research network mailing list 
> [mailto:[log in to unmask]] On Behalf Of Carolyn Bew
> Sent: 12 May 2008 13:03
> To: [log in to unmask]
> Subject: Re: Call for participants/papers Creative 
> Research/Creative Practice: Materiality/Process/Performativity
> 
> Hi Vanessa
> Having problems opening this link ... Is there another route thru the main
> website?
> Best
> Carolyn
> 
> On 10/5/08 12:03, "Vanessa Corby (V.Corby)" <[log in to unmask]> wrote:
> 
> > Creative Practice/Creative Research
> >
> > Materiality/Process/Performativity
> >
> >
> >
> > Symposium July 10-12 2008
> >
> > York St John University
> >
> >
> >
> > In Artforum in April 1970, sculptor Robert Morris noted with regret that
> > creative process held little sway for the meanings imbibed for 'art' by
> > contemporary criticism and the histories of art. His insistence on the
> > imperatives of what he named 'the submerged side of the iceberg' came on the
> > cusp of the 'New Art History.' The advent of post-modern theory 
> > and the social
> > history of art located the material production of art at an intersection of
> > history and the social. Practice was thus liberated from the
> > (psycho)biographical expressivity and mastery of the gesture. Hitherto these
> > had been the only means by which making had been thought.  And yet the object
> > of critical and historical discourse has remained profoundly visual. Situated
> > in the gallery like so many dead objects 'art's' materiality, the trace of a
> > means to an ends, has remained caught between formalism and semiotics. It is
> > that to which theory has been applied and by which history is index after the
> > fact.  Creative Practice/Creative Research seeks to elucidate and 
> > participate in the
> > generation of a body of scholarship written by both critics and 
> > practictioners
> > that has begun to transform the theoretical and historical frameworks through
> > which art's making can signify.
> >
> >
> >
> > To insist upon the work of art as a 'co-poiësis' (Ettinger, 1997) of 'poiëtic
> > revealing' (Bolt, 2007) is to read art production beyond the locus of a
> > discrete subject bound solely to the paradigms of 'representation.' Rather
> > such a shift foreground the 'dialogical' and 'per formative' means through
> > which art's work may lead research. The emergence of this practice led
> > intervention thus transforms the territories by which 'work' and materiality
> > may be encountered by maker and viewer.
> >
> >
> >
> > This international symposium seeks to creatively draw from emerging and
> > established voices in the practice, criticism, history, and curation of the
> > creative arts. It seeks to explore the particular logic, diversity and
> > implications of the work of art both for its own sake and for the history of
> > art and art criticism, cultural theory, curatorial practice and 
> > the pedagogies
> > of art.   Speakers
> >
> >
> >
> > Steve Baker, UCLAN, UK
> >
> > Estelle Barrette, Deakin University, AUS
> >
> > Rosemary Betterton, Lancaster University, UK
> >
> > Barb Bolt, University of Melbourne, AUS
> >
> > Vanessa Corby, York St John University, UK
> >
> > Bracha Ettinger, European Graduate School, Switzerland
> >
> > Pam Longobardi, Georgia State University, USA
> >
> > Roddy Hunter, York St John University, UK
> >
> > Linda Weintraub, Independent Scholar, USA
> >
> > Elizabeth Watkins, Bristol University, UK
> >
> >
> >
> > Proposed Panels
> >
> >
> >
> > Material Thinking: Practice Led Interventions in the History of Art
> >
> > Bodies of Knowledge: Genders, ethnicity, sexuality, class
> >
> > Eco-Logical Practice
> >
> > Unruly Objects: Materiality/Process/Performativity
> >
> > Dance and the Document: Tracking Performativity
> >
> > Processing Memory/Psychic Mechanisms
> >
> > Pedagogy & Practice Led Research
> >
> >
> >
> > Website @ www.yorksj.ac.uk/creativepractice
> > <http://www.yorksj.ac.uk/creativepractice>
> >
> >
> >
> > Abstracts for papers may be submitted via email by 6th June 2008
> >
> >
> >
> > James Alexander, Senior Administrative Assistant-Project & Outreach
> >
> >
> >
> > [log in to unmask] <mailto:[log in to unmask]>
> >
> >
> >
> > Faculty of Arts
> >
> > York St John University
> >
> > Lord Mayors Walk
> >
> > York YO31 7EX
> >
> >
> 
> Carolyn Bew
> ADM Subject Centre
> University of Brighton
> Faculty of Arts and Architecture
> 68 Grand Parade
> Brighton
> Sussex
> BN2 9JY
> 01273 643175

>