New and 3d-ish:
http://vispo.com/dbcinema/kandinsky3/7.htm
http://vispo.com/dbcinema/kandinsky3/8.htm
http://vispo.com/dbcinema/kandinsky3/9.htm
http://vispo.com/dbcinema/kandinsky3/44.htm
http://vispo.com/dbcinema/kandinsky3/45.htm
http://vispo.com/dbcinema/kandinsky3/46.htm
http://vispo.com/dbcinema/kandinsky3/47.htm
http://vispo.com/dbcinema/kandinsky3/48.htm
http://vispo.com/dbcinema/kandinsky3/49.htm
http://vispo.com/dbcinema/kandinsky3/64.htm
http://vispo.com/dbcinema/kandinsky3/65.htm
http://vispo.com/dbcinema/kandinsky3/66.htm
http://vispo.com/dbcinema/kandinsky3/67.htm
http://vispo.com/dbcinema/kandinsky3/68.htm
http://vispo.com/dbcinema/kandinsky3/69.htm
http://vispo.com/dbcinema/kandinsky3/70.htm
Done with a Flash brush. Not actual 3D, just a 2D brush with a 3D look.
Fishy. Organic. Others are hip-hop lettristic in a Kandinskian digital kind
of way. The first one, for instance, after I looked at it a few times, I saw
that it could be construed as initials. My initials. Whereas there was no
such intent on my part. But when you explore curves in a particular space
(the monitor in this case), the curves can quite easily become lettristic;
and then I realized that's one way to look at hip-hop lettrism: it is as
much concerned with working the curve through the space in a kind of
generative process of discovery as it is with writing something in
particular.
Cyber grafitti with a degree in English and Comp Sci.
More info on Flash brushes at http://vispo.com/dbcinema/kandinsky3/intro
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