From: Gary Hall [mailto:[log in to unmask]]
Sent: 02 December 2007 21:05
To: [log in to unmask]
Subject: cfp: Culture Machine: Pirate Philosophy
CULTURE MACHINE 10 (2008)
http://www.culturemachine.net
PIRATE PHILOSOPHY
Edited by Gary Hall
The Pirate Philosophy issue of Culture Machine will explore how the development of various forms of so-called internet piracy are affecting ideas of authorship, intellectual property, copyright law, fair use, patent, trademark, content creation and cultural production that were established pre-internet.
We are looking for contributions which, among other things, engage critically with:
* the philosophy of internet piracy, peer-to-peer file sharing,
Grokster, Kazaa, Gnutella, EDonkey, BitTorrent, Pirate Bay and so
on;
* attempts to develop new, different or alternative philosophies of
content creation, intellectual property and/or copyright (e.g.
those associated with open editing, open content, Creative Commons
and copyleft licenses, Lawrence Lessig's 'free culture', the free
software and open source movements, the work of Richard Stallman
and Eric Raymond...);
* the implications and consequences of the above for conceptions of
the academic author, scholarly writing, publishing, pedagogy, the
book, the journal, peer review and the institution of the
university in the era of digital reproducibility;
* efforts that have been made to scale-up the relations of production
and distribution associated with peer-to-peer networks to form new
participatory regimes of culture or new kinds of networked
institutions, even plans for the future organisation of society.
See the German Oekonux debate of 2000-2002, for example
(http://www.oekonux.org);
* the emergence out of peer-to-peer file networks of actual political
'Pirate Parties' in Sweden, Spain, Austria, Germany, USA, UK,
France, Australia, Poland, Italy, Russia, Norway, and Belgium.
We envisage contributions to Culture Machine's Pirate Philosophy issue as falling into two broad (albeit crudely defined and distinguished)
categories: those that address the theme of piracy in their content; and those that approach the subject by playing provocatively with the form of their text.
We would especially like to encourage contributors to explore the philosophy of internet piracy by creating actual 'pirate' texts we can publish as part of the issue. We are open to and indeed very much welcome suggestions as to what forms such 'pirate philosophy' might take in practice. Possible examples include:
* Mash-ups, only in this case with written texts - philosophical,
literary, historical, psychoanalytic, political etc. - rather than
music tracks being mixed together. (Instead of The Beatle's The
White Album and Jay-Z's The Black Album, think Deleuze's
'Postscript on Control Societies' and the US Bill of Rights);
* Experiments with plagiarism and appropriation along the lines of
Jonathan Lethem's 'The Ecstasy of Influence: A Plagiarism'
http://www.harpers.org/archive/2007/02/0081387;
* Texts generated by large groups of often anonymous people working
according to free content and open editing principles. Wikipedia is
the most well-known, but Culture Machine would like to promote the
development of other instances of open content and open editing
(and wikimedia), specifically with academic writing and publishing
in mind.
The idea is to push the boundaries surrounding notions of piracy, authorship, intellectual property, copyright law, fair use and so forth, not just intellectually but legally too.
Deadline for submissions: February 2008
Contact:
Gary Hall
School of Art and Design
Coventry University
Priory Street
Coventry CV1 5FB
UK
e-mail: [log in to unmask]
-------------------------
ABOUT CULTURE MACHINE
Culture Machine is an umbrella term for a series of experiments in culture and theory.
The Culture Machine open access journal http://www.culturemachine.net
The Culture Machine book series, published by Berg, and including:
Paul Virilio, City of Panic (2005)
Charlie Gere, Art, Time & Technology (2006) Clare Birchall, Knowledge Goes Pop: From Conspiracy Theory to Gossip
(2006)
The Culture Machine open access archive: CSeARCH http://www.culturemachine.net/csearch
The Culture Machine journal publishes new work from both established figures and up-and-coming writers. It is fully refereed, and has an International Advisory Board which includes Geoffrey Bennington, Robert Bernasconi, Sue Golding, Lawrence Grossberg, Peggy Kamuf, Alphonso Lingis, Meaghan Morris, Paul Patton, Mark Poster, Avital Ronell, Nicholas Royle, Tadeusz Slawek and Kenneth Surin.
Previous contributors to the Culture Machine journal include Mark Amerika, Alain Badiou, Bifo, Oran Catts, Simon Critchley, Jacques Derrida, Johan Fornäs, Henry A. Giroux, Lawrence Grossberg, Stevan Harnad, N. Katherine Hayles, Peggy Kamuf, Ernesto Laclau, J. Hillis Miller, Anna Munster, Mark Poster, Bernard Stiegler, Kenneth Surin, Gregory L. Ulmer, Cathryn Vasseleu and Samuel Weber.
Culture Machine welcomes original, unpublished submissions on any aspect of culture and theory. All contributions to the Culture Machine journal are refereed anonymously. Anyone with material they wish to submit for publication is invited to contact:
Culture Machine c/o Dave Boothroyd and Gary Hall
e-mail: [log in to unmask] and [log in to unmask]
--
Gary Hall
Professor of Media and Performing Arts
School of Art and Design, Coventry University Co-editor of Culture Machine http://www.culturemachine.net Director of the Cultural Studies Open Access Archive http://www.culturemachine.net/csearch
Co-founder of the Open Humanities Press
http://www.openhumanitiespress.org
My website http://www.garyhall.info
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************************************************************************************
Distributed through Cyber-Society-Live [CSL]: CSL is a moderated discussion
list made up of people who are interested in the interdisciplinary academic
study of Cyber Society in all its manifestations.To join the list please visit:
http://www.jiscmail.ac.uk/lists/cyber-society-live.html
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