Hi Charlotte,
A rare outing for me into the JiscMail forum however ...
I have a meta-project titled la souris est sous la table that I was first
aware of starting in 1996 and it is added to/drawn on a 'regular' basis.
The project has as one of its 'pages'(there are 22)a 3D
structure/drawing/page 22 that is sometimes filmed/video recorded and the
filmed material is edited into moving image sequences. These are sometimes
published/shown/screened and also they are projected onto the composition
(page 22) re-recorded and the process continued la la la ... time is the
time I spend on it and the time I have spent on it
and the time I may spend on it.
The first 11 pages of la souris were exhibited as The Artificial Sketchbook
in Drawing - The Process and I did a short essay for the book of the same
name. The essay was titled 'What shall I draw? Just a few words'.
Good luck and if you want to chat in any detail outside the forum then you
can email me at: [log in to unmask]
Phil Sawdon
Quoting charlotte williams <[log in to unmask]>:
> Dear all,
> I am currently studying MA fine Art at Winchester
> School of Art, and am specialising in Drawing. As
> part if this course, I am conducting research into the
> relationship between the drawn mark and our awareness
> of time - specifically focussing on Henri Bergson's
> concept of duration. Part of this research will be
> conducted through my own visual practice, and I am
> very intersted in reaching other artists who feel that
> concepts of time are directly related to their
> processes of making or showing work. My own drawings
> combine film projection and traditional media - I
> would be very interested to hear from anyone who uses
> film in connection to their drawing, or has any
> thoughts on how the two might (or should?) interact.
>
> With many thanks,
> Charlotte Knox-Williams
>
>
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