This thread brings to mind my interest in hearing how professors teaching
about Magic and other esoteric disciplines handle the object/subject
polarity: do you teach esotericism as an objective artifact as if you were
teaching it from outside any worldview your students and you yourself
inhabit; or do you teach it as a subjective experience that your students
and yourself, as living human beings, naturally inhabit?
What do you offer the student who comes to Academia not only for
Intellectual skill, but also for Spiritual skill? Does separation of Church
and State by definition mean separation of Spirit and Intellect in Academia?
My concern is that Music, for instance, is taught by expert musicians and
studied by students learning to perfect their practice of musical
instruments. Even professors teaching Music Theory are themselves practicing
musicians to some degree. Many styles of Music are taught in Academia;
classical, jazz, world music . . . .
Magic and other esoteric disciplines of course can be taught theoretically
as Folklore, Literature, History, Religion. But why is esotericism not also
taught as a practice, where the Academic learns to perfect their practice in
the instrument of choice; Gnosticism, Kabbalah, Magic, Sufism, Christianity,
Buddhism, Alchemy, Zoroastrianism, Astrology . . . ?
Is the "Academic Study of Magic" by definition confined to Intellectual
theory, separate from Spiritual experience?
Kathryn LaFevers Evans
Independent Scholar
----- Original Message -----
From: "jacqueline simpson" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Monday, November 05, 2007 7:25 AM
Subject: Re: [ACADEMIC-STUDY-MAGIC] Fairies
> Many scholars, right back into the 19th century, have
> tried to work out how far the concept 'fairy' overlaps
> with that of the dead. Problem is, fairies play all
> sorts of different roles in different societies -- and
> so do ghosts, so one can really only discuss the
> relationship piecemeal.
>
> For instance, take the idea of the 'guardian spirit of
> the farm'. In the Orkneys and Shetlands, this entity
> has the name 'hogboon', which is pretty obviously
> derived from the Norse for 'mound-dweller'. This might
> simply refer to fairies as such (in many countries
> they are imagined as living inside hillocks), or more
> interestingly it might specifically refer to the
> spirit of the first settler in that place, living on
> inside his burial mound and keeping a benevolent eye
> on his descendants.
>
> Or again, there are one or two 'house guardians' who
> are quite definitely stated in the local tradition to
> have been ghosts; the Cold Lad of Hinton for one, and
> the German Hinzelmann for another. But by and large
> and on the whole, the house and farm guardians (hobs,
> pixies, cobbolds, tomtes, lutins etc etc) don't look
> or behave like the dead.
>
> Purkiss's analysis of particular tales and beliefs is
> often very revealing, but it would be dangerous to
> extrapolate from that into broad general theories.
>
> As for why a society which already has the concept
> 'ghost' would also go in for 'fairies', this will
> surely depend on what types of function and activity
> the concept 'ghost' does and does not cover. To put it
> crudely, if your 'ghosts' are always benevolent, or
> always too ethereal to interact with the living, then
> you will need some other supernantural being to take
> the blame for life's little nastinesses, from losing
> your way in the woods to having a mentally defective
> baby. If on the other hand your ghosts are always
> sinister and scary, the fairies can take on the role
> of playful little things, treasure guardians, bringers
> of *good* luck, etc. At the end of that path, we get
> the Tooth Fairy and Santa's Little Helpers.
>
> Jacqueline
>
>
>
>
> --- Caroline Tully <[log in to unmask]> wrote:
>
> > Hi Harry,
> >
> > >>Is she saying that fairies are just a human
> > metaphor for the dead? Or is
> > >>she saying they are the dead in folklore?
> > Harry Roth<<
> >
> > What's the difference? Can you clarify for me?
> > Purkiss is certainly saying
> > that fairies are a human metaphor for the general
> > dead, as well as for
> > things people don't want to know about or admit like
> > neonatal death, women
> > dying in childbed, infanticide, incest, disabled
> > children. This is also
> > explored in "The Good People" by Peter Narvaez (ed)
> > (Kentucky University
> > Press 1991). In Angela Bourke's "The Burning of
> > Bridget Cleary" fairies are
> > also the dead (in Ireland in the late 19th century).
> > So whether that's
> > 'folklore' or 'human metaphors' I'm not quite sure I
> > understand the
> > difference. Is it the difference between beliveing
> > something (from the
> > inside) and analysing that belief, from the outisde?
> >
> > ~Caroline.
> >
> >
> > > Caroline Tully wrote:
> > >
> > >>Dianne Purkiss in "At the Bottom of the Garden: A
> > Dark History of Fairies,
> > >>Hobgoblins and Other Troublesome Things" (New York
> > University Press. 2000)
> > >>would say that fairies *were* the dead. Do you
> > agree with that?
> >
>
>
>
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