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CYBER-SOCIETY-LIVE  September 2007

CYBER-SOCIETY-LIVE September 2007

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Subject:

[CSL] Culture Machine 9: 'Recordings'

From:

Joanne Roberts <[log in to unmask]>

Reply-To:

Interdisciplinary academic study of Cyber Society <[log in to unmask]>

Date:

Mon, 10 Sep 2007 08:55:17 +0100

Content-Type:

text/plain

Parts/Attachments:

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text/plain (138 lines)

From: Gary Hall [mailto:[log in to unmask]] 
Sent: 06 September 2007 10:36
To: [log in to unmask]
Subject: Culture Machine 9: 'Recordings'

(Apologies for cross-postings)

We are pleased to announce a new edition of the open access journal
Culture Machine:

CULTURE MACHINE 9 (2007)
http://www.culturemachine.net

RECORDINGS
Edited by Paul Hegarty and Gary Genosko

The latest issue of Culture Machine asks: What is the current state of
aural art media in 'an era of digital reproduction'?

Contributors to 'Recordings' consider the residues of technologies, the
anachronisms, the failures, the less-than-excellent, the dated, the
outmoded, and even the yet-to-work.  Taking into account the material
(or dematerialised) art object, they also ask about collecting cultures,
recycling, destroyed and broken media (the TV thrown from the window...
), new broadcast media, turntablism, noise, radio and its avatars,
podcasting, any casting, the range of material 'supports' (vinyl, the 8
track, betamax, different audio files).

Has the digital and informational swamped the world in a mass encoded
simulation?  What and where are the resistances?  Are they within or
outside of the digital?  In the junk heap of analogue machines? In Ebay
dreams? What are the material forms/formats that offer critical models,
avant-gardism, metacommentary and so on? What is the status of the art
commodity, non-commodity or hypercommodity?

The 'Recordings' issue features:

* Eugene Thacker, 'Pulse Demons'

* Greg Hainge, 'Vinyl is Dead, Long Live Vinyl: The Work of Recording
and Mourning in the Age of Digital Reproduction'

* Paul Hegarty, 'The Hallucinatory Life of Tape'

*  Jerome Hansen, 'Mapping the Studio (Fat Chance Matmos): Sonic
Culture, Visual Arts and the Mediations of the Artist's Workplace'

* Gary Genosko, '8 Track Rhapsody'

* Ross Harley and Andrew Murphie, 'Rhythms and Refrains: A Brief History
of Australian Electronica'

* Dan Hays, Painting in the Light of Digital Reproduction'

* Adam Bryx, review of Charles R. Acland (ed.) (2007) Residual Media.
Minneapolis and London: University of Minnesota Press (available
separately in the Culture Machine Reviews section)


Plus, new in Culture Machine's InterZone:

* Christian Kerslake, 'The Somnabulist and the Hermaphrodite: Deleuze
and Johann Malfatti de Montereggio and Occultism'

-------------------------

CONTRIBUTING TO CULTURE MACHINE

Culture Machine publishes new work from both established figures and
up-and-coming writers. It is fully refereed, and has an International
Advisory Board which includes Geoffrey Bennington, Robert Bernasconi,
Sue Golding, Lawrence Grossberg, Peggy Kamuf, Alphonso Lingis, Meaghan
Morris, Paul Patton, Mark Poster, Avital Ronell, Nicholas Royle, Tadeusz
Slawek and Kenneth Surin.

Culture Machine welcomes original, unpublished submissions on any aspect
of culture and theory. All contributions to Culture Machine are refereed
anonymously. Anyone with material they wish to submit for publication is
invited to contact:

Culture Machine c/o Dave Boothroyd and Gary Hall
e-mail: [log in to unmask] and [log in to unmask]

All contributions will be peer-reviewed; all correspondence will be
responded to.


ABOUT CULTURE MACHINE

Culture Machine is an umbrella term for a series of experiments in
culture and theory.

The Culture Machine journal http://www.culturemachine.net

Culture Machine Reviews http://culturemachine.tees.ac.uk/bk_rev.htm

Culture Machine InterZone
http://culturemachine.tees.ac.uk/InterZone/index.htm

The Culture Machine book series, published by Berg, and including:
Paul Virilio, City of Panic (2005)
Charlie Gere, Art, Time & Technology (2006) Clare Birchall, Knowledge
Goes Pop: From Conspiracy Theory to Gossip
(2006)
Jeremy Gilbert, Anti-Capitalism and Culture: Radical Theory and the
Global Justice Movement (forthcoming)

The Culture Machine open access archive: CSeARCH
http://www.culturemachine.net/csearch

For more information, visit the Culture Machine site at:
http://www.culturemachine.net


--
Dr Gary Hall
Co-editor of Culture Machine http://www.culturemachine.net Director of
the Cultural Studies Open Access Archive
http://www.culturemachine.net/csearch
My website http://www.garyhall.info

************************************************************************
************
Distributed through Cyber-Society-Live [CSL]: CSL is a moderated
discussion list made up of people who are interested in the
interdisciplinary academic study of Cyber Society in all its
manifestations.To join the list please visit:
http://www.jiscmail.ac.uk/lists/cyber-society-live.html
************************************************************************
*************

************************************************************************************
Distributed through Cyber-Society-Live [CSL]: CSL is a moderated discussion
list made up of people who are interested in the interdisciplinary academic
study of Cyber Society in all its manifestations.To join the list please visit:
http://www.jiscmail.ac.uk/lists/cyber-society-live.html
*************************************************************************************

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