Dear All,
Editions Rodopi BV is pleased to announce the following new
publication(s) in Comparative Literature Studies:
* Disclosing Intertextualities
The Stories, Plays, and Novels of Susan Glaspell
Edited by Martha C. Carpentier and Barbara Ozieblo
Amsterdam/New York, NY 2006. 307 pp. (DQR Studies in Literature 37)
ISBN-10: 90-420-2082-2
ISBN-13: 978-90-420-2082-5
Online info: <http://www.rodopi.nl/senj.asp?BookId=DQR+37>
http://www.rodopi.nl/senj.asp?BookId=DQR+37
More info:
For the first time, this volume brings together essays by feminist,
Americanist, and theater scholars who apply a variety of sophisticated
critical approaches to Susan Glaspell's entire oeuvre. Glaspell's
one-act play, "Trifles," and the short story that she constructed from
it, "A Jury of Her Peers," have drawn the attention of many feminist
critics, but the rest of her writing-the short stories, plays and
novels-is largely unknown. The essays gathered here will allow students
of literature, women's studies and theater studies an insight into the
variety and scope of her oeuvre.Glaspell's political and literary
thinking was radicalized by the turbulent Greenwich Village environment
of the first decades of the twentieth century, by progressive-era
social movements and by modernist literary and theatrical innovation.
The focus of Glaspell studies has, till recently, been dominated by the
feminist imperative to recover a canon of silenced women writers and,
in particular, to restore Glaspell to her rightful place in American
drama. Transcending the limitations generated by such a specific
agenda, the contributors to this volume approach Glaspell's work as a
dialogic intersection of genres, texts, and cultural phenomena-a method
that is particularly apt for Glaspell, who moved between genres with a
unique fluidity, creating such modernist masterpieces as The Verge or
Brook Evans. This volume establishes Glaspell's work as an
"intersection of textual surfaces," resulting for the first time in the
complex aesthetic appreciation that her varied life's work merits.
* John Gay's The Beggar's Opera 1728-2004
Adaptations and Re-Writings
Edited by Uwe Böker, Ines Detmers, Anna-Christina Giovanopoulos
Amsterdam/New York, NY 2006. 347 pp.
(Internationale Forschungen zur Allgemeinen und Vergleichenden
Literaturwissenschaft 105)
ISBN-10: 90-420-2113-6
ISBN-13: 978-90-420-2113-6
Online info: http://www.rodopi.nl/senj.asp?BookId=Ifavl+105
More info:
When Richard Steele remarked that "the greatest Evils in human Society
are such as no Law can come at", he was not able to forsee the
spectacular success of John Gay's satire of society, the administration
of law and crime, politics, the Italian opera and other topics. Gay's
The Beggar's Opera, with its mixture of witty dialogue and popular
songs, was imitated by 18th century writers, criticized by those on the
seats of power, but remained a favourite of the English theatre public
ever since. With N. Playfair's 1920 revival and B. Brecht's and K.
Weill's 1928 Dreigroschenoper, Gay's play has been a starting-point for
dramatists such as V. Havel (Zebrácká opera, 1975), W. Soyinka (Opera
Wonyosi, 1977), Ch. Buarque (Ópera do Malandro, 1978), D. Fo (L'opera
dello sghignazzo, 1981), A. Ayckbourn (A Chorus of Disapproval, 1984),
as well as others such as Latouche, Hacks, Fassbinder, Dear, Wasserman,
and Lepage.Apart from contributions by international scholars analysing
the above-named plays, the editors' introduction covers other
dramatists that have payed hommage to Gay. This interdisciplinary
collection of essays is of particular interest for scholars working in
the field of drama/theatre studies, the eighteenth century,
contemporary drama, postcolonial studies, and politics and the
stage.twentieth centuries), with a special focus on the public sphere,
legal culture and literature.
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