Dear Hille, dear David, dear all,
ad campaigns combining glamour, surveillance & paranoia are not a new
phenomenon. Eric Howeler gives some more exapmles of this in an article
on "paranoid chic" (www.loudpapermag.com/article.php?id=16). For the
rest I agree with David's and Hille's comments.
Dietmar
D F J Wood schrieb:
> Quite amazing... and yet oddly uncompelling after a few shots. This is
> so completely devoid of any real politics: an appropriated aesthetic of
> security and surveillance layered onto the utter vacuity of high
> fashion. I can't see any critique at all, nor even fantasy, more just a
> parade of the usual banal sexless models, slick and mundane 'eroticism'
> and trying-very-hard-to-be-shocking-but-we-are-all-so-bored situations.
> I think your final suggestion is the correct analysis... the spectacle
> consuming itself.
>
> David.
>
>> -----Original Message-----
>> From: Research and teaching on surveillance
>> [mailto:[log in to unmask]] On Behalf Of
>> [log in to unmask]
>> Sent: 25 September 2006 00:13
>> To: [log in to unmask]
>> Subject: Chic and sexy surveillance in Vogue
>>
>>
>> Dear all,
>>
>> have a look at this - it's worth it!
>>
>> http://www.voguevanity.it/cont/060hvg/
>>
>> Just click into the 'State of Emergency' and you'll find a
>> series of 15 photographs of which it is really hard to believe
>> that all this was shot in the name of selling fashion.
>>
>> The controversial Vogue photographer Steven Meisel contributes
>> in criticizing the surveillance society? Or in turning
>> policing and airport screening into a perfect S/M fantasy? Or
>> 'the image against image' competition has got so fierce that
>> you'll do anything? Don't really know, but appreciate if
>> anyone wishes to discuss this.
>>
>> - hille
>>
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>
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--
[Dietmar Kammerer]
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