Thanks so much Rebecca. This "Tenderly" series - whatever happens between me
and Getrude in Tender Buttons - does provide a method of composition that -
when it works - always emerges as a surprise. But I am delighted to hear
that it works.
Stephen V
> Hi Stephem
>
> I like your snap very much and have kept thinking
> about it, that 'prevaricates' and especially
> 'prevaricator', one who deviates, colludes with his
> own prosecution, etc, are particularly apt choices,
> and that last stanza is perfect, I think, that pairing
> of the window/the tree, framed and furious. It's all
> very good and thanks for the view,
>
> best,
>
> Rebecca
>
> Tenderly #15
>
> Any dry sky a divided cloud mountain blue.
> Familiarity breathes echo assures opaque habit
> Eliminates passion. Why?
>
> An amber cat not fur on the camel two steps
> An oven called desert a cream colored eye
> Caramel awash to what may or may not:
>
> Empty is not danger eliminates what prevaricates:
> He is a prevaricator, she is not a word either
> Translucent or opaque. What one hatchets
> Or praises.
>
> The window lodged in a tree. A window with three
> words.
> A window etched where not. A frame is or is not
> What a window did, does. Framed. Or is it, furious?
>
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