WORK IN DRAWING: TEN A DAY
4 January- 20 January 2006
Wimbledon School of Art
Centre for Drawing, Research Centre, House 2
Merton Hall Road, London SW19 3QA
Teresa Carneiro
PhD Drawing
If the work of art has been considered to be key in terms of permanently
challenging or disrupting its own status as a commodity object (while
fetishized), in what ways would such subjectivization be operated and
identified in the fabrication of drawings?
How does drawing intensify and maintain particular levels of
subjectivization? Can the mechanisms created to produce certain kinds of
drawings have a direct correspondence to the operations of manipulating and
verifying such intensification? In other words, can the origins of drawing
coincide with the origins of its production? (or even, with the origins of
production and work?)
In this case, can the appearance or the evidence of drawing sustain and
expose such forces of immanence, while resisting and delaying stabilization?
Can drawing (re)present a kind of resistance or a suspension of singularity
while still becoming singular in its proposed apparition or manifestation?
If drawing then fulfills a state of verification, and this might correspond
to both its existence and its being (becoming), as well as to its universal
and singular, would this identify drawing operating at a space of the
dissolution of categories?
TEN A DAY is a proposition for the work of a drawing. For the production of
a large scale drawing of a small object, it has been decided, according to
the pre-established dates offered for this event, that 10 different
fragments (of the same size- 12× 12cm squares) of such drawing were to be
addressed at each day, following a certain order (more or less, from right
to left, and from bottom to top).
January 18
Discussion of work: 2.30pm – 4.30pm
Prof. Avis Newman
Prof. Anita Taylor
Dr. Malcom Quinn
PhD students
Private View: 5pm
January 20
Gallery visits: 10am - 5pm
All welcomed to all events!!
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