Film Quarterly
Volume 59, Number 1/Fall 2005
Understanding Man with a Movie Camera pp.3-3
Anne Nesbet
Lost on Pleasure Islands: Storytelling in Disney's Silly Symphonies pp.4-17
Russell Merritt
FLOATING ON THE BORDERS OF EUROPE SOKUROV'S RUSSIAN ARK pp.18-26
Kriss Ravetto-Biagioli
DOING NOTHING: Harry Langdon and the Performance of Absence pp.27-35
Joanna E. Rapf
Spring, Summer, Fall, Winter . and Spring pp.36-44
Lost in Translation pp.45-48
Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film
pp.49-51
Cinema and the Sandinistas: Filmmaking in Revolutionary Nicaragua pp.51-52
Cinema of the Other Europe: The Industry and Artistry of East Central
European Film pp.53-54
Cold War, Cool Medium: Television, McCarthyism, and American Culture
pp.54-56
Film Editing: The Art of the Expressive pp.56-57
Irish National Cinema pp.57-59
Jean-Pierre Melville: An American in Paris pp.59-60
Keystone: The Life and Clowns of Mack Sennett pp.60-62
Movie Acting: The Film Reader pp.62-63
More than a Method: Trends and Traditions in Contemporary Film Performance
pp.62-63
The New Brazilian Cinema pp.63-65
Optical Poetry: The Life and Work of Oskar Fischinger pp.65-66
The Red and the Blacklist: The Intimate Memoir of a Hollywood Expatriate
pp.66-67
Rethinking Media Change: The Aesthetics of Transition pp.67-69
Rites of Realism: Essays on Corporeal Cinema pp.69-70
Screen Traffic: Movies, Multiplexes, and Global Culture pp.70-72
Visions of the Apocalypse: Spectacles of Destruction in American Cinema
pp.72-73
Screening Room pp.73-75
Special Effects: An Oral History pp.75-76
The Matrix pp.75-75
Unforgiven pp.75-75
For Ever Godard pp.76-76
|