Apologies for cross posting.
Begin forwarded message:
> From: Mark Jancovich <[log in to unmask]>
> Date: 16 March 2005 17:51:23 GMT
> To: [log in to unmask]
> Subject: FW: Three Lectureships in Film and/or Television Studies
> Reply-To: Mark Jancovich <[log in to unmask]>
>
> University of East Anglia, Norwich, UK
> School of Film and Television Studies
>
> THREE LECTURESHIPS IN FILM AND/OR TELEVISION STUDIES
>
> The School of Film and Television Studies at the University of East
> Anglia
> (UEA) invites applications for three Lectureships. UEA is one of the
> strongest universities in the UK for Film and Television Studies, with
> a top
> Research Assessment rating of 5**, and thriving BA, MA and PhD
> programmes.
>
> We are seeking candidates with significant records of research and
> publication, and a strong commitment to innovative teaching. For two
> of the
> posts, we are seeking candidates with particular specialisms, as
> identified
> below, while the field for the third post is more open. All three
> lectureships will contribute to undergraduate and postgraduate
> teaching and
> supervision, and to the administration of the School.
>
> ð For post 1, we are seeking a television specialist (ideally a
> specialist on British television).
> ð For post 2, we are seeking someone with research and teaching
> interests in the field of international cinema (world cinemas, national
> cinemas, post-colonial cinemas, etc).
> ð For post 3, we are seeking someone with research and teaching
> interests in one or more of the following areas: British cinema,
> American
> cinema, British television, American television.
>
> It would be advantageous if at least one of the postholders also had
> teaching expertise in cultural theory and/or feminist media studies.
>
> For more details about the School, go to
> http://www.uea.ac.uk/eas/sectors/film/fshome.shtml.
>
> All three posts are available from 1 September 2005 or as soon as
> possible
> thereafter on a full-time, indefinite basis. Salary will be on the
> Lecturer
> B salary scale, in the range £27,989 to £35,883 per annum (01/08/2005
> pay
> award pending) plus USS benefits.
>
> Further particulars and an application form can be obtained from the
> Personnel Office at the University of East Anglia. From Monday 21
> March, all
> the details will be available on the Personnel website, at
> http://www.uea.ac.uk/personnel/jobs. Alternatively, contact the
> Personnel
> Office by e-mail, at [log in to unmask], by answerphone, on 01603
> 593493,
> or by post, to Personnel Office, University of East Anglia, Norwich,
> NR4
> 7TJ. Completed applications should be returned no later than 27 April
> 2005.
> It is anticipated that presentations and interviews will take place on
> 23/24/25 May 2005. Please quote reference AC582.
>
> -----
> Further Particulars
>
> University of East Anglia, Norwich, UK
> School of Film and Television Studies
>
> Three Lectureships in Film and/or Television Studies
>
> Further Particulars
>
> I: Introduction
>
> The School of Film and Television Studies at the University of East
> Anglia
> (UEA) is one of the strongest and most highly regarded departments in
> the UK
> for Film and Television Studies. Over the years, it has played a
> leading
> role in setting the agenda for film studies in the UK, and it currently
> enjoys a top Research Assessment rating of 5** and has thriving degree
> programmes at BA, MA and PhD level. We are now in a position to make
> appointments to three Lecturerships in Film and/or Television Studies.
> The
> ideal candidates will have significant records of research and
> publication,
> and a strong commitment to innovative teaching. For two of the posts,
> we are
> seeking candidates with particular areas of expertise, as identified
> below,
> while the field for the third post is more open. All three
> lectureships will
> contribute to undergraduate and postgraduate teaching and supervision,
> and
> to the administration of the School.
>
> ð For post 1, we are seeking a television specialist (ideally a
> specialist on British television).
> ð For post 2, we are seeking someone with research and teaching
> interests in the field of international cinema (world cinemas, national
> cinemas, post-colonial cinemas, etc).
> ð For post 3, we are seeking someone with research and teaching
> interests in one or more of the following areas: British cinema,
> American
> cinema, British television, American television.
>
> It would be advantageous if at least one of the postholders also had
> teaching expertise in cultural theory and/or feminist media studies.
> We say
> more about these posts and the preferred areas of expertise below.
>
> II: The School of Film and Television Studies
>
> UEA has one of the longest-established film and television studies
> programmes in the UK, and enjoys an international reputation in the
> field,
> especially for its research on British and American cinema history,
> and on
> gender and representation; for its MA courses (including the unique
> Film
> Archiving option); and for its large and successful PhD programme.
> Recent
> external assessments by the Higher Education Funding Council have been
> extremely positive, with a 5**A rating in the 2001 Research Assessment
> Exercise and a score of 23 out of 24 in the most recent Teaching
> Quality
> Assessment.
>
> The current Head of School is Professor Andrew Higson. The seven
> current
> film and television specialists (Professor Charles Barr, Professor
> Andrew
> Higson, Professor Mark Jancovich, Mr Peter KrŠmer, Dr Lawrence Napper,
> Dr
> Diane Negra and Professor Yvonne Tasker) are all experts in their
> field,
> very active on the research front and publish widely. In the last five
> years, for instance, colleagues have between them produced six
> monographs
> and another ten edited books, with several more nearing completion or
> already in press (see the list of staff and their publications later
> in this
> document for further details). A number of Research Fellows and
> Associate
> Tutors also work in the School, including a part-time video and film
> production tutor. Several of our graduate students also contribute to
> the
> undergraduate teaching programme each year. There are strong and very
> productive links with other Schools, especially in the Faculty of Arts
> and
> Humanities, which has a longstanding commitment to
> interdisciplinarity. The
> School of Film and Television Studies is also home to the East Anglian
> Film
> Archive, one of the countryâs leading regional film archives. The
> staff and
> resources of the Archive provide substantial input to our courses,
> particularly at MA level. The successful applicants for these three
> posts
> will thus be joining a dynamic, highly motivated and extremely
> successful
> team.
>
> The School of Film and Television Studies has been particularly well
> supported by the University thanks to research-led investment, and has
> expanded significantly over the last seven years. Funding is available
> in
> the School to support staff research activity and support is given to
> faculty applying for external research funding from bodies such as the
> AHRB.
> The School is also home to the British Cinema History Research Project
> (http://www.uea.ac.uk/eas/britcin), which benefited for the first three
> years of its existence from a grant of £317,000 from the AHRB. The two
> key
> strands of the project are the production of a fully searchable index
> to the
> long-running British film and TV trade paper, Kine Weekly, and the
> production of transcripts of the oral history archive produced by the
> film
> and TV trade union BECTU. Both resources are housed on a dedicated
> website.
> Several conferences and research symposia have been held at UEA in
> recent
> years, including Interrogating Post-Feminism: The Politics of Gender
> and
> Popular Culture ö a very successful international conference which took
> place in April 2004 (http://www.uea.ac.uk/eas/postfeminism/). The
> School
> runs a weekly Film and Television Studies Research Seminar during
> term-time
> (which also attracts our MA and PhD students and staff from other
> Schools).
>
> On the teaching front, UEA introduced options in film and television at
> undergraduate level in 1976, and set up a full-time MA in Film Studies
> in
> 1981. In 1990, in conjunction with the East Anglian Film Archive, a
> further
> MA programme was established, Film Studies with Film Archiving; this
> was for
> some time the only one of its kind in the world, and has proved
> immensely
> successful. At the undergraduate level, the interdisciplinary BA in
> Film and
> English Studies was introduced in 1986, the 4-year BA in Film and
> American
> Studies in 1992. The latter four-year course includes a year spent
> studying
> at a University in the USA. More recently, a BA in Film and Television
> Studies was launched in 2002. Teaching and research go hand in hand at
> UEA,
> not least in the School of Film and Television Studies, where both
> undergraduate and postgraduate film and television teaching is
> informed by
> extensive staff research activity. The report of the most recent
> Teaching
> Quality Assessment made special mention of the ãhigh-quality staff
> research
> and professional interest feeding productively into teaching and
> learningä.
>
> Teaching takes place within a modular framework, which is
> university-wide at
> undergraduate level and faculty-wide at postgraduate level. This means
> that
> film and television can also be studied as an adjunct to another
> subject, at
> either BA or MA level, and our lecture-based units typically attract
> enrolments of well over a hundred and sometime two hundred students
> (seminar
> units on the other hand are restricted to between 10 and 20 students).
> Students on all the undergraduate programmes are able to undertake
> work in
> television studies, and in video and film production. Production
> skills are
> also taught on the Archiving strand of the MA. A variety of teaching
> modes
> are used, including lectures, seminars (maximum 20 students), practical
> workshop teaching, and one-to-one tutorials and supervisions. Almost
> all
> teaching units are accompanied by film or video screenings, some of
> them
> using prints supplied by the National Film and Television Archive.
>
> Around 60 students are admitted to the three BA Film degrees each year
> and
> the number and quality of the applications for these degrees
> underlines the
> strength of the School. Despite recent national fluctuations, the
> quantity
> and quality of applicants remain high, and the average A-level scores
> of
> entrants, at around 26 points, are among the highest in the University.
>
> Our taught MA programmes also attract excellent applicants, and have
> proved
> very successful in preparing students for, and recruiting them to,
> doctoral
> research in the School. We typically recruit around 20 students each
> year to
> the MA in Film Studies, and another 10 to the MA in Film Archiving
> (because
> of the intensive hands-on nature of this programme, numbers have to be
> limited, and competition for places is particularly strong). The MA
> programmes offer a combination of coursework and dissertation, and can
> be
> taken on a full-time or part-time basis (most of our students are in
> fact
> full-time), with several each year in receipt of funding from the Arts
> and
> Humanities Research Board (AHRB). The School also has a good record of
> attracting well-qualified international students, many of them with
> grants
> from their own countries. Film and television teaching at MA level is
> by
> seminar, with workshop sessions for Archive students and one-to-one
> supervision for dissertations (and although we still call it an MA in
> Film
> Studies, we do offer Television units as part of it).
>
> The School of Film and Television Studies has a very healthy
> post-graduate
> research community, with more than 30 doctoral candidates currently in
> registration. The completion rate has been impressive, with
> twenty-eight
> successful completions in the last ten years, and several more in the
> offing
> this year. Most of the past and present research falls into one or
> more of
> the following areas: gender and film; British cinema history; British
> television history; audiences, exhibition and reception studies;
> contemporary American cinema; national cinemas; and Îsilentâ cinema.
> The
> School has also been very successful in attracting AHRB funding or
> international grants for its PhD students, underlining the extent to
> which
> we are recognised as a centre of excellence by both the Higher
> Education
> Funding Council and the AHRB. The School is particularly proud of the
> fact
> well over 30 graduates of its MA and PhD programmes now hold teaching
> posts
> at Universities in the UK and abroad. The MA in Film Archiving has been
> equally successful in placing graduates in archives and related posts,
> likewise both in the UK and abroad. The research students participate
> in a
> weekly PhD Seminar in Film and Television Studies, and many of them
> attend
> the Schoolâs Research Seminar.
>
> Learning resources for Film and Television Studies are good. Lecture
> Theatres are equipped with professional film screening equipment, and
> large
> screen video or DVD projection. Data projection facilities are
> available in
> most teaching rooms. Film and Television Studies also has a dedicated
> teaching space with specialist video/DVD playback, and 16mm and 8mm
> projection. A Film and Television Studies Resource Room houses
> documentation, a small supplementary video collection, specialist
> periodicals, video and DVD facilities, and copying facilities for
> preparation of teaching materials. The main University collection of
> some
> 4,000 video titles is housed in the Library. The collection is
> available for
> classroom teaching and student consultation, and has its own catalogue.
>
> Most teaching units at BA and MA level are accompanied by extensive
> screenings of appropriate material, generally on DVD or on film from
> the
> National Film and Television Archive. A limited amount of digital
> video,
> 16mm and super-8mm production equipment as well as the facilities of
> the
> campus television studio and Avid editing suite are available for the
> small
> undergraduate production programme. MA Archiving students have the use
> of
> the extensive facilities of the East Anglian Film Archive, including
> their
> own small but fully equipped workspace and a range of production
> equipment.
>
> The Library holds about 700,000 monographs and 2,500 current journal
> titles
> in print and over 1,500 subscriptions as online full-text. Some 4,500
> monographs are classified under Film and TV Studies and related
> subjects,
> while at least as many other relevant titles are classified elsewhere
> in the
> Library's stock. The Library has total holdings of more than 100 film,
> television and media related journals, including nearly 50 titles
> available
> online. The Library provides networked access to various databases for
> the
> subject, including Film Index International and various FIAF and BUFVC
> services. The Library's audiovisual collection includes nearly 7,000
> videos
> and DVDs, the majority of which are relevant to Film and TV studies.
> Film
> and TV Studies resources in the Library are managed by a subject
> librarian.
>
> III: The Lectureships ö Job Description, Person Specification and
> Statement
> of Duties
>
> In making this appointment, we are seeking on the one hand to underpin
> some
> of the key areas of research and teaching in the School of Film and
> Television Studies, and on the other hand to expand our areas of
> interest
> and expertise. Thus all current staff have over the years done some
> teaching
> and/or research on television, but we are now seeking to appoint a
> dedicated
> television specialist to one of the posts. Given current expertise and
> teaching requirements, the ideal appointment to this post would be
> someone
> researching on an aspect of British television (which might of course
> include American programming on British networks, and other aspects of
> the
> UK/US relationship). For the second post, we are seeking an expert in
> the
> field of international cinema (world cinemas, national cinemas,
> post-colonial cinemas, etc). In this case, we are very much wanting to
> expand our current scope, which has to date primarily related to
> British and
> American moving image media. We are also very mindful of the fact that
> there
> is growing student demand, from both home and international students,
> for
> the opportunity to work in the area of international cinema.
>
> For the third post, we are seeking either to consolidate existing
> areas of
> expertise in British and/or American cinema or to appoint another
> television
> specialist. As noted above, it would also be advantageous if at least
> one of
> the successful applicants had some expertise in cultural theory and/or
> feminist media studies, since these are areas in which we offer
> teaching and
> where we need again to consolidate existing strengths.
>
> The successful candidates will be expected to play active roles in the
> development and administration of teaching and research in the School
> of
> Film and Television Studies. They will thus play a full part in the
> teaching
> of the School, contributing to programmes at BA, MA and PhD level.
> There
> will be opportunities to contribute to existing lecture-based survey
> units
> at undergraduate level, and to existing specialist seminar units at
> both BA
> and MA level and to supervise BA and MA dissertations. But in due
> course ö
> and perhaps in the first year of appointment ö there will be
> opportunities
> to develop new units related to the particular strengths of each new
> appointee. We are also keen for the successful appointees to take on
> PhD
> supervision, either contributing to current supervisory arrangements,
> or
> taking the lead with new supervisions. The precise teaching and
> supervisory
> responsibilities of the successful appointees will thus be subject to
> negotiation and dependent upon the expertise of the appointees. All
> colleagues also take on particular administrative responsibilities, but
> these tend to be light in the case of new appointments.
>
> Person specification: the ideal candidate for these posts will meet the
> following criteria:
>
> ð A PhD in a relevant area of Film and/or Television Studies, and
> appropriate prior degrees.
> ð Research and teaching expertise in one or more of the areas
> identified above.
> ð A strong profile of actual or planned publications, with at least
> four high quality items likely to appear in the public domain between
> 2001
> and 2007, inclusive; at least one of these items should be a scholarly
> monograph.
> ð An excellent teacher, with experience of both BA and, ideally, MA
> teaching, and a commitment to developing innovative and effective
> teaching
> methods.
> ð Evidence of having secured external research funding in the past
> and/or evidence of a commitment to securing such funding in the future.
> ð Some administrative experience, and evidence of some ability in
> this
> respect.
> ð A good communicator.
> ð A personable colleague, with plenty of initiative, and the ability
> to work effectively both independently and as a member of a team.
>
> Statement of duties: the candidate to whom the appointment is offered
> will
> receive a full statement of the terms and conditions of appointment,
> but it
> may be appropriate at this stage to draw attention to two such
> conditions:
>
> 1. Duties: A member of faculty is required:
>
> a) to promote the study of his/her subject by teaching and
> research;
>
> b) to assume such duties and responsibilities appropriate to
> the appointment as may be assigned to him/her by the governing
> bodies of the University or by the Dean or Director, as
> appropriate, acting on their behalf;
>
> c) to examine without further payment in the examination for
> degrees and diplomas of the University when required to do so.
>
> 2. Residence: members of faculty will normally be expected to reside
> within 50 kilometres of the University.
>
> Full details of terms and conditions of employment will be made
> available to
> candidates to whom the appointment is offered. The post is
> superannuable
> under the Universities Superannuation Scheme, and carries an annual
> holiday
> entitlement of six weeks plus statutory and customary holidays.
> Relocation
> expenses are reimbursable under certain conditions.
>
> IV: Presentations & Interviews
> Presentations will take place on Monday 23rd May 2005, with interviews
> following on Tuesday 24th and Wednesday 25th May 2005. (More details
> will be
> issued to candidates invited for interview.)
>
> Travel and incidental expenses incurred in attending the interview
> will be
> reimbursed and overnight accommodation can be arranged if required.
>
> Informal enquiries may be made to the Head of the School, Professor
> Andrew
> Higson, direct tel: 01603-592274, e-mail: [log in to unmask] The
> Schoolâs
> website can be found at
> http://www.uea.ac.uk/eas/sectors/film/fshome.shtml
>
> V: The Applications Process
>
> These indefinite posts are available from 1 September 2005 or as soon
> as
> possible thereafter, and salary will be in the range £27,989 to
> £35,883 per
> annum (01/08/2005 pay award pending).
>
> Appointment will be subject to a satisfactory Pre-Employment Health
> Check to
> be carried out by the University's Occupational Health Service.
>
> Applications, which must include a completed application form, quoting
> reference number AC582 and three copies of your curriculum vitae and
> covering letter, should be returned to the Personnel Office,
> University of
> East Anglia, Norwich NR4 7TJ, with the equal opportunities monitoring
> form,
> by not later than 27 April 2005. In naming three referees in your
> application, you are requested to give only those who can immediately
> be
> approached. It is anticipated that presentations and interviews will
> take
> place on 23/24/25 May 2005. Candidates who have not heard by then
> should
> assume that their application has been unsuccessful.
>
> Applications will not be acknowledged unless a stamped addressed
> envelope/postcard is supplied.
>
> Please ensure that you add the correct postage to your application
> pack as
> failure to do so will considerably delay receipt by this office, and
> may
> jeopardise your application for this post.
>
> This document is available in alternative formats e.g.. large print,
> disc
> and on line. If you need this document in an alternative format please
> contact us on 01603 593034, fax 01603 593522 or e-mail
> [log in to unmask]
>
>
>
> VI: Current staff in the School of Film and Television Studies:
>
> A list of academic staff in the School of Film and Television Studies
> is
> given below, with an indication of their research interests and recent
> publications. This is followed by a list of the staff in the East
> Anglian
> Film Archive.
>
> Charles Barr, BA, Professor of Film Studies
> Interests include British film and television history; early cinema;
> World
> War Two cinema; relations between film and other media; sporting
> history.
> Publications include: All Our Yesterdays: 90 Years of British Cinema
> (as
> editor; BFI Publishing, 1986); ÎThey think itâs all over: the dramatic
> legacy of live televisionâ, in John Hill, ed., Big Picture, Small
> Screen:
> The Relations Between Film and Television (John Libbey
> Media/University of
> Luton Press, 1996); Ealing Studios (Cameron and Hollis + University of
> California Press, 1999: extended version of book first published in
> 1977);
> English Hitchcock (Cameron and Hollis, 1999); and Vertigo (BFI Film
> Classics
> series, 2002). He is currently completing a major scholarly volume on
> British cinema and the Second World War. TV and radio work includes
> joint
> script credit with Stephen Frears for the BFI/Channel Four centenary
> history
> of British Cinema, Typically British (1995).
>
>
>
> Andrew Higson, BEd, MA, PhD: Professor of Film Studies and Head of the
> School
> Current interests include British cinema history, especially the silent
> period, the 1980s and 1990s, and the heritage film; Film Europe;
> national
> cinema. Director of the AHRB-funded British Cinema History Research
> Project.
> Recent publications include: English Heritage, English Cinema: Costume
> Drama
> Since 1980 (Oxford University Press, 2003); Waving The Flag:
> Constructing a
> National Cinema in Britain (Oxford University Press, 1995); and as
> editor:
> Young and Innocent? The Cinema in Britain 1896-1930 (University of
> Exeter
> Press, 2002); British Cinema, Past and Present (Routledge, 2000,
> co-edited
> with Justine Ashby); ÎFilm Europeâ and ÎFilm Americaâ: Cinema,
> Commerce and
> Cultural Exchange, 1920-1939 (University of Exeter Press, 1999,
> co-edited
> with Richard Maltby); and Dissolving Views: Key Writings on British
> Cinema
> (Cassell, 1996). He is currently working on another monograph on
> British
> cinema of the 1990s and 2000s.
>
> Mark Jancovich, BA, Ph.D. Professor of Film and Television Studies
> Interests include film, media and cultural theory; genre (particularly
> horror, pornography and the historical epic); audience and reception
> studies; and contemporary popular television. He is currently working
> on a
> history of American horror in the 1940s. Publications include: The
> Place of
> the Audience: Cultural Geographies of Film Consumption (with Lucy
> Faire and
> Sarah Stubbings) (BFI, 2003); Rational Fears: American Horror in the
> 1950s
> (Manchester University Press, 1996); The Cultural Politics of the New
> Criticism (Cambridge University Press, 1993); and Horror (Batsford,
> 1992).
> His edited books include Horror: The Film Reader, (Routledge, 2001),
> and, as
> co-editor, Defining Cult Movies: The Cultural Politics of Oppositional
> Taste
> (with Lazaro, Stringer and Willis; MUP, 2003); Quality Popular
> Television:
> Cult TV, the Industry and Fans (with Lyons; BFI, 2003); The Film
> Studies
> Reader (with Hollows and Hutchings; Arnold, 2000); and Approaches to
> Popular
> Film (with Hollows; Manchester University Press, 1995);
>
> Peter Kramer, MA - Lecturer in Film Studies
> Current research interests include: American film history, early
> cinema,
> contemporary Hollywood, stars and acting, comedy, relations between
> film and
> other media, Hollywood and Europe. He has contributed to numerous
> edited
> collections and journals, and his book-length publications include:
> co-editor (with Alan Lovell), Screen Acting (Routledge, 1999);
> co-editor
> (with Lee Grieveson), The Silent Cinema Reader (Routledge, 2004); and
> co-author (with Paul Willetts) of a children's book entitled American
> Film:
> An A-Z Guide (Franklin Watts, 2003). He is currently completing a
> monograph,
> The New Hollywood: From Bonnie and Clyde to Star Wars (forthcoming
> from the
> Wallflower Press).
>
> Lawrence Napper, BA, MA, PhD. Tutor in Film and Television Studies
> Current research interests include British cinema, adaptation and the
> Îmiddlebrow, exhibition strategies, the musical film, and popular film
> criticism. Formerly Research Associate on the British Cinema History
> Research project, he remains closely involved with its development.
> Publications include ÎA Despicable Tradition?: Quota-Quickies in the
> 1930s;
> in Robert Murphy, ed., The British Cinema Book (BFI Publishing, 1997),
> ÎBritish Cinema and the Middlebrowâ in Justine Ashby and Andrew Higson
> eds.,
> British Cinema, Past and Present (Routledge, 2000), and with Michael
> Williams, ÎThe Curious Appeal of Ivor Novelloâ in Bruce Babington, ed.,
> ÎBritish Stars and Stardom: From Alma Taylor to Sean Connery
> (Manchester UP,
> 2001). His book on British cinema between the two world wars is
> currently
> under consideration at a leading university press.
>
> Diane Negra, BA, MA, PhD: Lecturer in Film & TV Studies
> Current research interests include popular film and television, media
> and
> U.S. social history, gender and feminist studies, critical ethnic
> studies,
> Irish Studies, and stardom. Publications include Off-White Hollywood:
> American Culture and Ethnic Female Stardom (Routledge, 2001); and, as
> editor, A Feminist Reader in Early Cinema (Duke, 2002, co-edited with
> Jennifer Bean). She has also published essays in a range of journals
> and
> edited collections. She has two further edited collections
> forthcoming: The
> Irish in Us: Irishness, Performativity and Popular Culture
> (forthcoming from
> Duke University Press, 2005) and Interrogating Postfeminism: Gender
> and the
> Politics of Popular Culture (also Duke, 2006, co-edited with Yvonne
> Tasker).
> She is currently working on another monograph, entitled Perils and
> Pleasures: Postfeminism and Contemporary Culture.
>
> Yvonne Tasker, BA, MPhil, PhD: Professor of Film and Television Studies
> Current research interests include race and gender in action-adventure
> cinema; feminism, postfeminism and contemporary culture; lesbian, gay
> and
> queer theory and cinema; crime television. Publications include: The
> Silence
> of the Lambs (BFI, 2002); Working Girls: Gender and Sexuality in
> Popular
> Cinema (Routledge, 1998); Spectacular Bodies: Gender, Genre and the
> Action
> Cinema (Routledge, 1993); and as editor, Action and Adventure Cinema
> (Routledge, 2004) and Fifty Contemporary Filmmakers (Routledge, 2002).
> She
> has recently completed a major new study, Soldiers Stories: Military
> Women
> in Cinema and Television since WWII, and is currently co-editing (with
> Diane
> Negra) Interrogating Postfeminism: Gender and the Politics of
> Contemporary
> Popular Culture (to be published by Duke).
>
> East Anglian Film Archive
> Staff in the East Anglian Film Archive currently include:
>
> Jane Alvey (Acting Director)
> Phil Butcher (Film Archivist)
> Amelia Hamer (Access Archivist)
> Nathalie Morris (Archive Clerk)
> Robin Williams (Conservator)
> Geoff Clark (Technical Manager)
> Peter White (Technician)
> Lesley Knightley (Finance Clerk)
>
> We are currently recruiting for two further posts: Director of the
> Archive;
> and Education and Sills Training Officer.
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