I liked this, thankyou.
Roger
On 12/13/05, Jill Jones <[log in to unmask]> wrote:
> I start from edges
> posing questions by the way
> with shards
>
> Is fear an engine?
> What leaves formed language?
>
> Am I approximate
> for saying nothing
> the nothing which seems to
> become a book you can hold
> marking something that opens
> dissolves while making
> broken systems, gods, engines
> wings, the lake, rock and sand
>
> Value wings, the lake, the rock!
> All passages pink where edges raise questions
>
> Is fear a machine, or the private
> that's interrupted?
>
> You can be arrested if you turn lines
> with a concept of measure
> valueing wings and cliffs
> where passages colour
> edges with questions
>
> How much do shards use significance?
> Does extremity modify bodies
> as time disappears inside a book?
>
> You can be apprehensive about the rollback
> its nerve can penetrate
> all the passes of the rose
> but at the rise of the edge
> how much shards away usable?
>
> Time disappears
> to transform the interior into a book
> its nerve can enter as it follows
> all to pieces
>
> To make interrupted systems
> the cliffs I create where all steps rise
> mine ascending an edge of questions
>
> As time disappears
> where are the new directions
> opened, interrupted?
>
>
> Jill Jones
> Sydney, 2.40pm, 14 December 2005
>
--
http://www.badstep.net/
http://www.cb1poetry.org.uk/
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