Thank you, Rebecca. Those icicles in you "Snap" were great, a precarious
architecture. Looming danger. Maybe hard hats are in order! But well done,
je pense!
S
> Yes, I liked this too, Stephen, the photos and the text and had something
> of that sense of the architecture that you spoke of. And happy birthday from
> me
> too, and many mooorrreee,
>
> Best,
>
> Rebecca
>
>
> ---- Original message ----
>> Date: Tue, 1 Feb 2005 08:47:21 -0700
>> From: Douglas Barbour <[log in to unmask]>
>> Subject: Re: Crossing the Millennium/blog note
>> To: [log in to unmask]
>>
>> Fascinating stuff, Stephen, a poetics of walking & thinking.
>>
>> And happy birthday.
>>
>> Doug
>> On 31-Jan-05, at 11:32 AM, Stephen Vincent wrote:
>>
>>> Blog: http://stephenvincent.durationpress.com
>>>
>>> Starting on January 1st I began to input, Crossing the Millennium,
>>> 1999,
>>> A journal and photography project in which I kept a daily journal with
>>> photographs for the entire year. The blog format has enabled the
>>> images to
>>> be enjoined with the text, much to my pleasure. I have yet to input
>>> all the
>>> images with January text, but by going to the "Archive:January" one can
>>> scroll down and get the general idea.
>>> Since the photos - as an act - were taken independently of the making
>>> of the
>>> journal text, the juxtapositions of what one sees and what one writes
>>> make
>>> variously for collisions and coherences. And as a "retro" experience,
>>> in
>>> contrast to what we call the present, it becomes curious to me (at
>>> least)
>>> how much remains the same and how much changes and how much exists
> as
>>> prefatory omen to where we are.
>>> February days will continue.
>>>
>>> Thanks and - as always - will appreciate any feedback,
>>>
>>> Stephen Vincent
>>>
>>>
>>
>>
>> Douglas Barbour
>> Department of English
>> University of Alberta
>> Edmonton Alberta T6G 2E5 Canada
>> (780) 436 3320
>> http://www.ualberta.ca/~dbarbour/dbhome.htm
>>
>> Reserved books. Reserved land. Reserved flight.
>> And still property is theft.
>>
>> Phyllis Webb
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