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POETRYETC  2005

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Subject:

Fisk on religion

From:

Alison Croggon <[log in to unmask]>

Reply-To:

Poetryetc provides a venue for a dialogue relating to poetry and poetics <[log in to unmask]>

Date:

Thu, 31 Mar 2005 19:49:50 +1000

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (133 lines)

When weeping for religious martyrs leads to  the crucifixion of innocents

Passion and redemption were part of our  parents' religious experience. It
would be wiser to reflect on the sins of our  human gods

Robert Fisk - 26 March 2005

http://news.independent.co.uk/world/fisk/story.jsp?story=623747


"About suffering," Auden famously wrote in 1938, "they were never wrong,/
The  Old Masters: how well they understood/ its human position; how it takes
place/  While someone is eating or opening a window/Or just walking dully
along." Yet  the great crucifixion paintings of Caravaggio or Bellini, or
Michelangeloıs  Pieta in the Vatican - though they were not what Auden had
in mind - have God on  their side. We may feel the power of suffering in the
context of religion but,  outside this spiritual setting, Iım not sure how
compassionate we really are.

The atrocities of yesterday - the Beslan school massacre, the Bali bombings,
the crimes against humanity of 11 September 2001, the gassings of Halabja -
can  still fill us with horror and pity, although that sensitivity is
heavily  conditioned by the nature of the perpetrators. In an age where war
has become a  policy option rather than a last resort, where its legitimacy
rather than its  morality can be summed up on a sheet of A4 paper, we prefer
to concentrate on  the suffering caused by "them" rather than "us".

Hence the tens of thousands of Iraqis who were killed in the 2003 invasion
and subsequent occupation, the hundreds of thousands of Vietnamese killed in
the  Vietnam war, the hundreds of Egyptians cut down by our 1956 invasion of
Suez are  not part of our burden of guilt. About 1,700 Palestinian civilians
from the  Sabra and Chatila refugee camps - equal to more than half the dead
of the World  Trade Center - were massacred in Lebanon.

But how many readers can remember the exact date? September 16-18, 1982.
"Our" dates are thus sacrosanct, "theirs" are not; though I notice how
"they"  must learn "ours". How many times are Arabs pointedly asked for
their reaction  to 11 September 2001, with the specific purpose of
discovering whether they show  the correct degree of shock and horror? And
how many Westerners would even know  what happened in 1982?

Itıs also about living memory - and also, I suspect, about photographic
records. The catastrophes of our generation, or of our parentsı or even our
grandparentsı generation - have a poignancy that earlier bloodbaths do not.
Hence we can be moved to tears by the epic tragedy of the Second World War
and  its 55 million dead, by the murder of six million Jews, by our
familiesı  memories of this conflict - a cousin on my fatherıs side died on
the Burma Road  - and also by the poets of the First World War. Owen and
Sassoon created the  ever-living verbal museum of that conflict.

But I can well understand why the Israelis have restructured their Holocaust
museum at Yad Vashem. The last survivors of Hitlerıs death camps will be
dead  soon. So they must be kept alive in their taped interviews, along with
the  records and clothes of those who were slaughtered by the Nazis. The
Armenians  still struggle to memorialise their own 1915 Holocaust of one and
a half million  at the hands of the Ottoman Turks - they struggle even to
keep the capital H on  their Holocaust - because only a pitiful handful of
their survivors are still  alive and the Turks still deny their obvious
guilt. There are photographs of the  Armenians being led to the slaughter.
But no documentary film.

And here the compassion begins to wobble. Before the 1914-18 war, there were
massacres enough for the worldıs tears; the Balkan war of 1912 was of such
carnage that eyewitnesses feared their accounts would never be believed. The
Boer war turned into a moral disgrace for the British because we herded our
enemiesı families into disease-ridden concentration camps. The
Franco-Prussian  war of 1871 - though French suffering was portrayed by
Delacroix with stunning  accuracy, and photos survive of the Paris Commune -
leaves us cold. So, despite  the record of still photographs, does the
American civil war.

We can still be appalled - we should be appalled - by the million dead of
the  Irish famine, although it is painfully significant that, although
photography  had been invented by the mid-19th century, not a single
photograph was taken of  its victims. We have to rely on the Illustrated
London News sketches to show the  grief and horror which the Irish famine
produced. 

Yet who cries now for the dead of Waterloo or Malplaquet, of the first
Afghan  war, of the Hundred Yearsı War - whose rural effects were still
being felt in  1914 - or for the English Civil War, for the dead of Flodden
Field or Naseby or  for the world slaughter brought about by the Great
Plague? True, movies can  briefly provoke some feeling in us for these
ghosts. Hence the Titanic remains a  real tragedy for us even though it sank
in 1912 when the Balkan war was taking  so many more innocent lives.
Braveheart can move us. But in the end, we know  that the disembowelling of
William Wallace is just Mel Gibson faking death.

By the time we reach the slaughters of antiquity, we simply donıt care a
damn. Genghis Khan? Tamerlane? The sack of Rome? The destruction of
Carthage?  Forget it. Their victims have turned to dust and we do not care
about them. They  have no memorial. We even demonstrate our fascination with
long-ago cruelty. Do  we not queue for hours to look at the room in London
in which two children were  brutally murdered? The Princes in the Tower?

If, of course, the dead have a spiritual value, then their death must become
real to us. Romeıs most famous crucifixion victim was not Spartacus -
although  Kirk Douglas did his best to win the role in Kubrickıs fine film -
but a  carpenter from Nazareth. And compassion remains as fresh among
Muslims for the  martyrs of early Islam as it does for the present-day dead
of Iraq. Anyone who  has watched the Shia Muslims of Iraq or Lebanon or Iran
honouring the killing of  Imams Ali and Hussein - like Jesus, they were
betrayed - has watched real tears  running down their faces, tears no less
fresh than those of the Christian  pilgrims in Jerusalem this week. You can
butcher a whole city of innocents in  the Punic War, but nail the son of
Mary to a cross or murder the son-in-law of  the Prophet and youıll have
them weeping for generations.

What worries me, I suppose, is that so many millions of innocents have died
terrible deaths because their killers have wept over their religious
martyrs.  The Crusaders slaughtered the entire population of Beirut and
Jerusalem in 1099  because of their desire to "free" the Holy Land, and
between 1980 and 1988, the  followers of the Prophet killed a million and a
half of their own  co-religionists after a Sunni Muslim leader invaded a
Shia Muslim country. Most  of the Iraqi soldiers were Shia - and almost all
the Iranian soldiers were Shia  - so this was an act of virtual mass suicide
by the followers of Ali and  Hussein.

Passion and redemption were probably essential parts of our parentsı
religious experience. But I believe it would be wiser and more human in our
21st  century to reflect upon the sins of our little human gods, those
evangelicals  who also claim we are fighting for "good" against "evil", who
can ignore history  and the oceans of blood humanity has shed - and get away
with it on a sheet of  A4 paper.

www.independent.co.uk

Alison Croggon

Blog: http://theatrenotes.blogspot.com
Editor, Masthead:  http://masthead.net.au
Home page: http://alisoncroggon.com

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