Ana Leonor Rodrigues <[log in to unmask]> escreveu:
> Hello
>
> On the discussion of Jac Saorsa an Xavier Pick, I would venture that they
> are both right in the way that drawing is, in itself an investigation of
> visual reality, both sensible, creative, and non linear (artistic) and
> ordered, systematic, clear (whatever adjectives to describe a systematic
> approach).
> It also conveys a communication (bypassing verbalization) that goes from
the
> intensity of incision of the line through several levels and also, even,
to
> the intention of representation (which is not the only aim of drawing but
an
> interesting one when one thinks about why do we need to represent).
>
> Myself I’m in this in-between situation it seems you both are yourselves,
> being an artist and interested in the process of drawing (the exploration
of
> the limits of drawing – the line, the support, the indirect register,
etc.)
> as an artistic expression, but also made a PhD in visual
> communication/drawing and I’m extremely interested and challenged by the
> whys of drawing, beginning with why do we draw or the interesting
statement
> of Wittgenstein, “wouldn’t we consider a case of lunacy the man who
> recognising in a drawing the portrait of N.N. would scream “Look, it’s Mr.
> N. N.” .
>
> Well, we could, maybe, go on discussing these topics. Between the –
drawing
> of drawing, and thinking about drawing.
>
> Yours
> Ana Leonor
>
> --
> Ana Leonor M. Madeira Rodrigues
> Faculdade de Arquitectura - Universidade Técnica de Lisboa
> home: Av. Gago Coutinho, 25- 2º Esq.
> 1000-015 Lisboa
> T.00 351 218492924
>
--
Ana Leonor M. Madeira Rodrigues
Faculdade de Arquitectura - Universidade Técnica de Lisboa
home: Av. Gago Coutinho, 25- 2º Esq.
1000-015 Lisboa
T.00 351 218492924
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