Thanks Ana
I like your reference to 'this mixture of precision and clarity in what is
presented to the eyes
and at the same time a kind of imprint from the self': would you agree that
drawing is also
some kind of imprint of what is thought of - or visualised in the brain?
I'm thinking here that many drawings are not of something one sees - so must
draw on some
internal (perhaps only partly formed) images.
Maulfry
Maulfry Worthington & Elizabeth Carruthers
Children's Mathematics Network
Phone: 01392 682 643
Email: [log in to unmask]
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Web: www.e-magine.org.uk
----- Original Message -----
From: "Ana Leonor Rodrigues" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Saturday, November 26, 2005 11:34 AM
Subject: Re: Fw: polyadic and Bakhtin -what does it mean to be original?
> Hi Maulfry
> I do agree so much with what you say. I also think that some of the
> aspects
> that make drawing so unique as an expression and as a communication system
> is this mixture of precision and clarity in what is presented to the eyes
> and at the same time a kind of imprint from the self that is always
> directly
> related to the person in a kind of remains and vestiges of bodily
> communication (that the subject may be aware or unaware vide: the
> intensity
> of a line for increasing drama or the trembling of a hand caused by
> tiredness).
>
> Ana Leonor
>
>
> --
> Ana Leonor M. Madeira Rodrigues
> Faculdade de Arquitectura - Universidade Técnica de Lisboa
> home: Av. Gago Coutinho, 25- 2º Esq.
> 1000-015 Lisboa
> T.00 351 218492924
>
>
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