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Subject:

Re: Definition of drawing

From:

David Haley <[log in to unmask]>

Reply-To:

The UK drawing research network mailing list <[log in to unmask]>

Date:

Mon, 14 Nov 2005 12:02:56 +0000

Content-Type:

multipart/mixed

Parts/Attachments:

Parts/Attachments

text/plain (14 lines) , text/plain (99 lines)

Dear Isabella

I have just returned from a very good conference in Bergen, Norway 
(Sensuous Knowledge II, National Academy for the Arts, Bergen) where I 
presented/performed the attached paper.  As an old Camberwellian 
(1970-74), I still tell drawing anecdotes about Ewan Uglo, Gary Wragg  
and others.  I have found your thoughts and line of inquiry (sorry 
about the pun) most interesting.

All the best

David



On 11 Nov 2005, at 11:02, Isabella Zuhal Parla wrote: > Hi Caroline, > > I completed an MA in Drawing at Camberwell in 2004, > having written my thesis on a very specific 'drawing' > method. One of the most subjectively favourable > conceptual definitions of drawing I found (which I > included in my research) was Dr Angela Eames' text > which essentially centres around how drawing is or can > be anything that is first conceptually conceived and > not necessarily made 'concrete' afterwards. The > conceptual being synonymous with the intellect and > imagination, or anything relating to the thinking or > creative mind. > > Eames successfully argues that 'drawing' in the mind > is the starting point of every concrete/physical act > of drawing (mental or material), therefore drawings > can remain conceptual/virtual/imaginary or transfered > into concrete, communal existence. I think in that > sense, Eames' views on drawing are perhaps the most > CONTEMPORARY, INCLUSIVE and PROFOUND declarations of > what drawing is, can or might be. > > Although Eames works with computers herself, she is > exceptionally broad-minded in her understanding of > drawing practice (this is reflected in her past and > present students works which range from traditional > and contemporary media). I prefer the 'cutting blade' > as my contemporary drawing tool and am still battling > with narrow perceptions and deep prejudices (despite > the fact that collage/scissors revolutionised the > history of modern drawing/painting irreversibly). > > I would recommend interviewing Dr Eames or taking a > look at this: > > www.lboro.ac.uk/departments/ac/tracey/dab/eames.html > > Kind Regards, > > Isabella Zuhal Parla > Drawer/Painter/Sculptor & Tutor > MA Drawing (Camberwell) > > ------------------------------------------------------ > > --- Caroline Calascione <[log in to unmask]> > wrote: > >> Hello >> >> I am currently trying to make a definition of >> drawing. >> Are there any texts that you know of that you could >> recommend me to read? >> best wishes >> Caroline >> -- >> Caroline Calascione >> 267 Kings Road >> Kingston >> Surrey KT2 5JJ >> t&f (w) 020 8404 4858 >> m 07733 333027 >> > > > > > > > > > ___________________________________________________________ > Yahoo! Messenger - NEW crystal clear PC to PC calling worldwide with > voicemail http://uk.messenger.yahoo.com > David Haley BA(Hons) MA FRSA Research Fellow MA Art As Environment Programme Leader SEA: Social & Environmental Arts Research Centre (MIRIAD) Manchester Metropolitan University Postgraduate Research Centre Cavendish North Building, Cavendish Street, Manchester M15 6 BY Tel: +44 (0)161 247 1093 Fax: +44 (0)161 2476870 "Before acting on this email or opening any attachments you should read the Manchester Metropolitan University's email disclaimer available on its website http://www.mmu.ac.uk/emaildisclaimer "

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