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Subject:

Re: Fw: RE: Football Songs]

From:

Steve Roud <[log in to unmask]>

Reply-To:

study of popular / folk / traditional ballads <[log in to unmask]>

Date:

Sun, 20 Feb 2005 23:32:09 +0000

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (43 lines)

In case nobody's noticed it before, I've just come across a reference to an article by James Ritchie, 'Troubadours of the Terracing', in Scots Magazine (Mar 1966) 566-572.
Steve Roud

--
Message sent with Supanet E-mail

-----Original Message-----
From:     Julia Bishop <[log in to unmask]>
To:       [log in to unmask]
Subject:  Fw: RE: Football Songs]

> Message
> ----- Original Message -----
> From: BFE mailing list
> To: ind-bfe-list
> Sent: Saturday, February 19, 2005 3:02 PM
> Subject: [Fwd: RE: Football Songs]
>
>
> A message from Ian Latham at the BBC:
>
> I'm trying to develop a film on football supporter chants for The Culture Show, BBC TWO.
>
> I'm interested in the social function of the music, where the songs come from, how they're disseminated, where the tradition originated, what tunes are used. Is it valid to describe this as a folk music tradition? Is this england's most vibrant folk music tradition? Are there comparable traditions?
>
> One curiosity that it would be fun to get to the bottom of. Where does the famous football supporters rhythm come from? One, Two...One, two, three... One, two, three, four... Eng-land! (crotchet, crotchet, quaver, quaver, crotchet, quaver, quaver, quaver, crotchet, quaver, crotchet). Any ideas?
>
> many thanks
>
> Ian Latham
>
> Please reply direct to: [log in to unmask]
>
>
>
> --
>
> This message is forwarded on behalf of the British Forum forEthnomusicology. Please address any queries regarding this list [log in to unmask] on the web: www.bfe.org.uk*****
>
> This message is distributed on behalf of the British Forum for Ethnomusicology, publishers of the British Journal of Ethnomusicology. www.bfe.shef.ac.uk list moderator: m.r.l.clayton

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