Wow, those abstractions are bright & definitely gestural, Barry, & the
responses, too.
Doug
On 19-Oct-05, at 12:23 AM, Barry Alpert wrote:
> DISASSEMBLED SCULPTURE PROTOTYPE
>
> [via Rogelio Maxwell]
>
> Sculpture was disassembled
> while this chair
> 86’d the Choir.
> He and a group of engineers
>
> disassembled cars. Past the window
> on a slope in no need of any repair
> one of their
> disassembled cars
>
> learned electronic sculpture.
> Despite this minor setback, I still had
> flown disassembled in
>
> the first prototype. In the shadow
> model, why was it disassembled instead
> of a chosen model with its man?
>
>
>
> CURVACEOUS PROTOTYPE, DISASSEMBLED SCULPTURE
>
> [via Rogelio Maxwell]
>
> Curvaceous, and clad head-to-toe in a pink
> curvature, curve curved
> disassembled. Disassemble curves curved
> and clad.
>
> And clad
> kingdoms indemnify referents quarreled.
> Curtilage curtsied.
> Curvaceous
>
> cusp--disapprove. Disarm. Disarray
> curvilinear. . . . . . . . . . . . . . . . . . . . . . . . . .
> . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
>
> . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
> . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
> . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
>
>
> Barry Alpert / Silver Spring, MD US / 10-19-05 ((2:28 AM)
>
> Without a lengthy interview, article, or talk to work with in this
> instance,
> I decided to try out for the first time a recently-invented
> methodology for
> generating rough drafts. About ten drafts were rejected before I was
> able
> to revise two. To view snaps of Rogelio Maxwell's sculpture, please
> visit
>
> www.rogeliomaxwell.com
>
>
Douglas Barbour
11655 - 72 Avenue NW
Edmonton Ab T6G 0B9
(780) 436 3320
All day long the heart’s
dark bud unfurls
coils for its quick season
-- How could I forget
you, Heart?
Diana Hartog
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