Richard Jeffrey Newman wrote:

>I just remembered that June Jordan has a poem, "Poem from Taped Testimony in
>the Tradition of Bernard Goetz,"--who was a white guy who shot up a group of
>Black kids on a New York subway train in the late 80s--which is pretty
>chilling; it's not quite what we're talking about here, but it's in the same
>vein, playing with getting inside the head of someone who would do such a
>thing, though it is not in his voice per se. I found it in Jordan's "Naming
>Our Destiny."
>
>Richard
>
>
I just remembered a poem called, I think, "The Gun," that was in Stephen
Dobyns' Black Dog, Red Dog collection. A childhood horror
story--maybe--or simply worm-reality exposed by turning over the rock.

No, I don't have it memorized.

Ken

*The Gun*

Late afternoon light slices through the dormer window
to your place on the floor next to a stack of comics.
Across from you is a boy who at eleven is three years
older. He is telling you to pull down your pants.
You tell him you don't want to. His mother is out
and you are alone in the house. He has given you a Coke,
let you smoke two of his mother's nonfilter Pall Malls,
and years later you can still picture the red packet
on the dark finish of the phonograph. You stand up
and say you have to go home. You live across the street
and only see him in summer when he returns from school.
As you step around the comics toward the stairs,
the boy gives you a shove, sends you stumbling back.
Wait, he says, I want to show you something.
He goes to a drawer and when he turns around
you see he is holding a small gun by the barrel.
You feel you are breathing glass. You ask if it is
loaded and he says, Sure it is, and you say: Show me.
He removes the clip, takes a bullet from his pocket.
See this, he says, then puts the bullet into the clip,
slides the clip into the butt of the gun with a snap.
The boy sits on the bed and pretends to study the gun.
He has a round fat face and black hair. Take off
your pants, he says. Again you say you have to go home.
He stands up and points the gun at your legs. Slowly,
you unhook your cowboy belt, undo the metal buttons
of your jeans. The slide down past your knees.
Pull down your underwear, he tells you. You tell him
you don't want to. He points the gun at your head.
You crouch on the floor, cover your head with your hands.
You don't want him to see you cry. You feel you are
pulling yourself into yourself and soon you will be
no bigger than a pebble. You think back to the time
you saw a friend's cocker spaniel hit by a car and you
remember how its stomach was split open and you imagine
your face split open and blood and gray stuff escaping.
You have hardly ever thought of dying, seriously dying,
and now as you grow more scared you have to go to the bathroom
more and more badly. Before you can stop yourself,
you feel yourself pissing into your underwear.
The boy with the gun sees the spreading pool of urine.
You baby, he shouts, you baby, you're disgusting.
You want to apologize, but the words jumble and
choke in your throat. Get out, the boy shouts.
You drag your pants up over your wet underwear and
run down the stairs. As you slam out of his house,
you know you died up there among the comic books
and football pennants, died as sure as your friend's
cocker spaniel, as sure as if the boy had shot your
face off, shot the very piss out of you. Standing
in the street with urine soaking you pants, you watch
your neighbors pursuing the orderly occupations
of a summer afternoon: mowing a lawn, trimming a hedge.
Where is that sense of the world you woke with
this morning? Now it is smaller. Now it has gone away.

Stephen Dobyns <../dialect/biographies/dobyns.html>


--
Kenneth Wolman
Proposal Development Department
Room SW334
Sarnoff Corporation
609-734-2538