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MED-AND-REN-MUSIC  2004

MED-AND-REN-MUSIC 2004

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Subject:

Presentation of Antonio Zacara da Teramo book

From:

Stagiair 1 CS/AUG <[log in to unmask]>

Reply-To:

Stagiair 1 CS/AUG <[log in to unmask]>

Date:

Wed, 4 Aug 2004 12:33:07 +0200

Content-Type:

text/plain

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text/plain (115 lines)

> Laus Polyphoniae 2004
> 21 - 29 August 2004 Antwerp, Belgium
> 
> 
> We are proud to announce the presentation of a book and CD published as a
> result of the International Antonio Zacara da Teramo Conference held in
> Teramo on the 6th-8th of December 2002
> 
> 
> on Wednesday 25th of August 2004 at 10.30h    	
> in Elzenveld Centre, Lange Gasthuisstraat 45, Antwerp, Belgium
> 
> Entrance is free
> 
> 
> The presentation is part of the early music festival Laus Polyphoniae,
> which is dedicated this year to Italian polyphony.  The same day, two
> concerts are organised around the music of Zacara and his contemporaries:
> *     at 12.00h the Orlando Consort performs music by composers from Padua
> and Venice in Elzenveld Centre.
> *     At 20.00h the Italian ensemble Micrologus devotes a whole concert
> program to Zacara's music in Augustinus, Kammenstraat 73, Antwerp.
> 
> 
> 
> For more information on the festival, surf to
> <http://www.festivalvanvlaanderen-antwerpen.be>
> 
> 
> Antonio Zacara da Teramo e il suo tempo
> (Antonio Zacara of Teramo and his time)
> Edited by Francesco Zimei
> Libreria Musicale Italuiana, Lucca 2004
> 
> In memoriam of Kurt von Fischer
> 
> 
> This is the second volume in the series Documenti di storia musicalese
> abruzzese (Documents about the Music History of Abruzzo), consisting of
> the collection of reports of the international Antonio Zacara conference
> held in Teramo from the 6th till the 8th of December 2002, and organised
> by the Istituto Abruzzese di Storia Musicale (Abruzzo Institute of Music
> History).  Contributors were some of the most renowned representatives of
> Medieval Musicology, a.o. Margaret Bent, David Fallows, Marco Gozzi, Pedro
> Memelsdorff, John Nádas and Agostino Ziino with essays written especially
> for the occasion.  Thanks to their research and the findings of other
> equally accomplished scholars it was possible to reconstruct, in this
> volume of over 400 pages, the central and undoubtedly decisive role the
> great master from Teramo had in European music in the 14th and 15th
> century: new and fascinating biographical aspects emerged, his style was
> defined and the catalogue of his oeuvre was significantly enlarged.
> 
> Francesco Zimei, the editor of this volume, has for many years been
> involved in researching and deciphering Italian sources of Medieval and
> Renaissance music and has written numerous essays and monographs.  As
> founder and president of the Istituto Abruzzese di Storia Musicale he
> organised many conferences and international projects, and he supervised
> two musicological series published by the Libreria Musicale Italiana.
> 
> 
> Istituto Abruzzese di Storia Musicale
> <http://www.iasm.it>
> 
> 
> 
> 
> 
> 
> 
> Antonio Zacara da Teramo e il suo tempo
> a cura di Francesco Zimei
> Libreria Musicale Italiana, Lucca 2004
> 
> In memoria di Kurt von Fischer
> 
> Il volume, secondo numero della collana "Documenti di storia musicale
> abruzzese", raccoglie
> gli atti del Convegno internazionale di studi su Antonio Zacara
> organizzato a Teramo dal 6
> all'8 dicembre 2002 dall'Istituto Abruzzese di Storia Musicale. Alla
> realizzazione dell'opera
> hanno contribuito, con appositi saggi, alcuni tra i piů noti esponenti
> della musicologia
> medievistica, tra i quali basterŕ ricordare i nomi di Margaret Bent, David
> Fallows, Marco
> Gozzi, Pedro Memelsdorff, John Nádas e Agostino Ziino. Grazie alle loro
> ricerche e a quelle
> di altri non meno prestigiosi studiosi č stato possibile, nelle oltre 400
> pagine che compongono
> il volume, restituire al grande maestro teramano un ruolo centrale e
> senz'altro decisivo nel
> panorama musicale europeo fra Tre e Quattrocento, scoprendone nuovi
> affascinanti tratti
> biografici, puntualizzandone lo stile e ampliandone significativamente il
> catalogo delle opere.
> 
> Francesco Zimei, curatore del volume, č da anni attivo nella ricerca e
> divulgazione delle
> fonti della musica medioevale e rinascimentale italiana e, con particolare
> riferimento a tali
> settori, ha pubblicato numerosi saggi e monografie. Č fondatore e
> presidente dell'Istituto
> Abruzzese di Storia Musicale, ente per il quale ha curato convegni di
> studio e progetti
> internazionali oltre a seguire due collane musicologiche edite dalla
> Libreria Musicale Italiana.
> Istituto Abruzzese di Storia Musicale
> www.iasm.it
> 
> 
> 
> 
> 
> 

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