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From: Secret Cinema [mailto:[log in to unmask]]
Sent: 25 February 2004 12:08
To: Secret Cinema
Subject: [secretcinema] Roy Lichtenstein: Pop Art Film Programme, 29
Feb-7 Mar 2004
ART FILM: ROY LICHTENSTEIN & POP ART
To celebrate the exhibition ROY LICHTENSTEIN at the Hayward Gallery
(February 26 - 16 May 2004), the Curzon Soho will be screening a season of
films highlighting some of the main characteristics of Pop Art: comics and
consumerism, collage and technology, an ambiguous fascination for science
fiction and Hollywood.
Sunday 29 February 2004, 6pm
BRUCE CONNER: A MASTER OF FOUND FOOTAGE
Roy Lichtenstein is well known for his imagery drawn from comic strips
Disney characters, romantic melodramas, wartime action to which he makes
relatively minimal adjustments. This is a principle whose cinematic
equivalent could be the OEfound footage¹ editing. By using OEready made¹
moving images, Bruce Conner also covers the political and social aspects of
the contemporary world.
MONGOLOID (US, 1978, 3.5 mins)
AMERICA IS WAITING (US, 1982, 3.5 mins)
A MOVIE (US, 1958, 12 mins)
REPORT (US, 1963-1967, 13 mins)
TAKE THE 5:10 TO DREAMLAND (US, 1977, 5.5 mins)
VALSE TRISTE (US, 1979, 5 mins)
MARILYN TIMES FIVE (US, 1968-1973, 13.5 mins)
Tuesday 2 March 2004, 6pm
HOLLYWOOD: STARS AND DECADENCE
Pop art paintings overflow with references to cinema. The Hollywood star is
shown as an object of desire, but also as an icon of death and destruction.
ROSE HOBART
Director: Joseph Cornell, (US, 1939, 20 mins)
PUCE MOMENT
Director: Kenneth Anger, (US, 1949, 5 mins)
HOLD ME WHILE I AM NAKED
Director: George Kuchar, (US, 1966, 15 mins)
AWARD PRESENTATION TO ANDY WARHOL
Director: Jonas Mekas (US, 1964. 12 mins)
BLANCHE-NEIGE LUCIE
Director: Pierre Huyghe, (F, 2000, 3 mins)
Thursday 4 March, 6pm
CONSUMERIST IMAGERY
Pop artists break with the 50s main art scene by using techniques and
imagery of the advertising world. Filmmakers also play with comics,
magazines, posters, etc. in order to create new aesthetics as well as to
undermine clichés in mass media.
SNOW WHITE
Fleischer Brothers, (US, 1933, 8 mins)
BETTY BOOP¹S HALLOWEEN PARTY
Fleischer Brothers, (US, 1939, 8 mnis)
SCIENCE FRICTION
Stan Vanderbeek, (US, 1963, 10 mins)
HISTORY OF NOTHING
Eduardo Paolozzi, (UK, 1963, 14 mins)
DAYLIGHT MOON
Lewis Klahr, (US, 2003, 14 mins)
...
Programme curated by Florence Tissot for Curzon Soho
all screenings at
Curzon Soho
99 Shaftesbury Avenue
London
W1D 5DY
Tickets: £5 / £4 (concession)
Box Office: 020 7734 2255
www.curzoncinemas.com
...
Roy Lichtenstein at the Hayward Gallery
26 February - 16 May 2004
A major retrospective of paintings and drawings by the master of American
Pop Art. This is the first in-depth exhibition of work by the master of Pop
Art to be seen in the UK for over 30 years.
Lichtenstein 's style and his subjects are instantly recognisable, and
immediate in their impact. From the 60s on he extended the range of his
imagery to include still lifes, figure studies, landscapes and interiors ,
examining colour, pattern and form, spatial illusions and borders of
abstraction, the styles and iconic images of modern art (including his own)
with increasing complexity and an ever-present ironic humour.
Hayward Gallery, Belvedere Road, London SE1
www.hayward.org.uk
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