Thanks, Julia. I'll have a think about that.
Cheers
Simon

> -----Original Message-----
> From: study of popular / folk / traditional ballads
> [mailto:[log in to unmask]] On Behalf Of Julia C.Bishop
> Sent: 08 June 2004 13:53
> To: [log in to unmask]
> Subject: (Fwd) Fw: SMA Study Day
>
>
> FYI
>
> Julia
> ------- Forwarded message follows -------
> From:                   "BFE (MC)" <[log in to unmask]>
> To:                     ind-bfe-list <[log in to unmask]>
> Subject:                Fw: SMA Study Day
> Date sent:              Mon, 7 Jun 2004 21:01:47 +0100
> Send reply to:          "BFE (MC)" <[log in to unmask]>
>
> This message is forwarded on behalf of the British Forum for
> Ethnomusicology. Please address any queries regarding this list to
> [log in to unmask]
> BFE on the web: www.bfe.org.uk
> *****
>
>
> > Please forward to anyone else you think may be interested.
> Apologies for
> > cross-postings. A printable version is at
> > http://www.lancs.ac.uk/sma/Autumn2004paperscall.doc
> >
> > The AHRB Research Centre for the History and Analysis of
> Recorded Music
> > (CHARM), a partnership of Royal Holloway, King's College London, and
> > University of Sheffield, came into being on 1 April this
> year. We shall be
> > circulating more information about it on this list when our
> web pages are
> > up!
> > -------------------------------------------
> > Representing Performance
> > Musical Recordings in Culture
> >
> > Study Day at Royal Holloway, University of London, sponsored by the
> > Society for Music Analysis
> >
> > Saturday, 30 October 2004
> >
> > Call for contributions
> > Hosted by the newly established AHRB Research Centre for
> the History and
> > Analysis of Recorded Music (CHARM) and sponsored by the
> SMA, this study
> > day focusses on the contexts within which musical performances are
> > represented, and the motivations underlying such
> representations. The aim
> is
> > to contribute to an understanding of the cultural work
> accomplished by the
> > technologies of recording-an aim which is equally relevant
> to the study of
> > 'art', popular, and world musics. Here are some examples of
> the kind of
> work
> > this might include:
> >
> > * diegetic music in films or music videos: what kind of phenomenon
> > is musical performance represented to be, and how does it relate to
> > narrative elements? What do films and music videos have to say about
> > performers?
> >
> > * ethnomusicological representations of performance: how do sound or
> > video recordings reflect or shape attitudes towards other
> cultures or
> > disciplinary agendas?
> >
> > * commercial recording practices: to what extent, in what ways, and
> > to what ends do record producers and sound engineers
> represent performance
> > in relation to the experience of live music?
> >
> > If you would like to present a paper on any of these or
> related topics,
> > please email a proposal of approximately 150/250 words to
> the convenor,
> > Nicholas Cook ([log in to unmask]) by 1 July 2004.
> Proposals for
> > linked papers or round tables are also welcomed.
>
> This message is distributed on behalf of the British Forum
> for Ethnomusicology, publishers of the B
> ritish Journal of Ethnomusicology.
> www.bfe.shef.ac.uk
> list moderator: m.r.l.clayton
> ------- End of forwarded message -------
>
>
> Julia C. Bishop (Dr)
> National Centre for English Cultural Tradition
> University of Sheffield
> Sheffield  S10 2TN
> U.K.
>
> Tel: (Direct Line) 0114 222 6295
> (NATCECT Office) 0114 222 6296
> EMAIL: [log in to unmask]
>
>
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