R. PINHAS’ DELEUZE
[sponge sound with
sponge guitar in
sponge country]
R. PINHAS’ DELEUZE
Repetitive electronic “stuff”, including the fathers
problem—-that we don’t do anything else
in philosophy, mathematics . . . supposed to be objective
notion of plan of composition and production.
[Nietzsche and Deleuze, that I worked with
him for
a long time,
so we try to do our music.
Deep “thing” is surface
evidence; all the processes of composition,
like Bacon or Rothko,
evidence . . . Throw away all possibility of transcendence
up in front of your door.
Z.
Ethical rules of compartments.
R. PINHAS’ DELEUZE
Revolutionary way if you want
power as in transcendence you can fight against.
Imp: everything connected to transcendence is connected to power;
nicest people have fascist inside.
Have to try—-if you fail
another day you can
show that the music can happen without us.
Dying: that’s nothing transcendental.
Events—-wide definitions of “events”—-
life process will be better.
Events / transformation / becoming.
Understand<>philosophy with a hammer.
Z.
Exist and can do something but . . .
Barry Alpert / Silver Spring, MD US / 7-21-04 (9:31 AM)
Written "on the fly" during a lecture/seminar entitled "Gilles Deleuze,
Literature and Music" given by Richard Pinhas (www.webdeleuze.com) at the
French Embassy in Washington DC this past Saturday. Though it wasn't
written to repetitive evolving sound as was my practice years ago, this
text might read "differently" if you're concurrently listening (as I am
now) to the 10:53 minute sample "Dextro" from Pinhas' most recent recording
TRANZITION, available via the website of Cuneiform Records
(www.cuneiformrecords.com).
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