[EMS-NEWS]
>Date: Tue, 16 Dec 2003 16:51:43 -0600
>From: "Elizabeth Hinkle" <[log in to unmask]>
>To: <[log in to unmask]>, <[log in to unmask]>,
>
>
>I wanted to draw your attention to the latest issue of Organised
>Sound (Volume 8 no. 1) which deals
>with issues of gender and music technology. It contains articles
>from folks with a variety of backgrounds and
>includes most of the experts in the field.
>
>An important resource for a variety of courses I think!
>
>Table of Contents:
>
>Hannah Bosma - Bodies of evidence, singing cyborgs and other gender
>issues in electrovocal music
>
>Georg Essl - On gender in new music interface technology
>
>Elizabeth Hinkle-Turner - Women and music technology: pioneers,
>precedents, and issues in the United States
>
>Jo Hutton - Daphne Oram: innovator, writer, and composer
>
>Mary Simoni - Project Lovelace: unprecedented opportunities for
>music education
>
>Theda Weber-Lucks - Electroacoustic voices in vocal performance art
>- a gender issue?
>
>Anne Sivuoja-Gunaratnam - Desire and distance in Kaija Saariaho's 'Lonh'
>
>Cindy Cox - Wounds like flowers opening: a discussion of 'Hysteria'
>for trombone and four-channel tape
>
>Andra McCartney - In and out of the sound studio
>
>Terre Thaemlitz - GLOBULE of NON-STANDARD: an attempted
>clarification of globular identity politics in
>Japanese electronic 'sight-seeing music'
>
>Taina Riikonen - Shaken or stirred - virtual reverberation spaces
>and transformative gender identities in
>Kaija Saariaho's 'NoaNoa' (1992) for flute and electronics
>
>Barry Truax - Homoeroticism and electroacoustic music: absence and
>personal voice
>
>The website for Organised Sound is:
>http://titles.cambridge.org/journals/journal_catalogue.asp?historylinks=ALPHA&mnemonic=OSO
>
>Elizabeth Hinkle-Turner
>
>Dr. Elizabeth Hinkle-Turner
>Student Computing Services Manager
>UNT Computing Center
>ISB 129 940-565-4808 [log in to unmask]
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