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Subject:

Re: A Portrait - a prose poem - James

From:

Mike Horwood <[log in to unmask]>

Reply-To:

The Pennine Poetry Works <[log in to unmask]>

Date:

Mon, 17 Feb 2003 12:58:48 +0200

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (76 lines)

Hello again James,
                   Thanks for the info.

  Mike



--- Alkuperäinen viesti ---
The publisher was Stride in Exeter, Devon though I can't remember the title. 
Fraid these are not my forte Mike.



bw
James





>From: Mike Horwood <[log in to unmask]>
>Reply-To: The Pennine Poetry Works <[log in to unmask]>
>To: [log in to unmask]
>Subject: New sub: A Portrait - a prose poem
>Date: Thu, 13 Feb 2003 14:04:32 +0200
>
>Is anyone interested much in prose poems? I recently read a review of an 
>anthology of prose poems but I can´t remember where or what the title and 
>publisher of the anthology were. Does anyone know? Or does anyone know of a 
>good source of information about this form? I feel my lack of knowledge and 
>would like to learn more.
>
>
>
>
>A Portrait
>
>1.
>For one pursued through life by the sound of breaking glass it was a 
>question of the picking up of pieces, a slow putting together. Life took on 
>the appearance of a collage by Braque. A train ticket turned up here, 
>something that might have been a walking stick rested in the corner.
>
>2.
>Mirrors exhibited an inexplicable propensity to fracture on his approach. 
>He gazed at the picture revealed; here was an eye behind an ear, looking at 
>something he wasn´t looking at, seeing something he would never admit 
>having seen. His nose, disjointed, was sliding down his cheek. Apparently 
>alien images caught shivers of glass at odd angles. Here was a bent and 
>elderly man impinging on his temple. There, again, the walking stick.
>
>3.
>He sought ways to develop space vigorously. He pulled apart different 
>planes, reassembled them to confine 360 degrees within four corners, to 
>synthesise the remembered and the seen. He was surrounded by the internal 
>as well as the external.
>
>4.
>At the fourth stage he stepped outside and engaged with the problems of 
>light and dark. It was necessary for him to use all his knowledge of 
>geology to interpret this terrain. He hoped thus to discover those 
>subterranean forces that had done this to him.
>
>
>
>
>Mike


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