Anny
Thanks for posting this. I used it somewhat in my other post on my
theory of "narrative" and narrative for want of a better word.... (wish
I could remember my basic grammar like verbs and nouns and adjectives...
everything is blurring so much.)
best wishes
Chris Jones.
On Fri, 2003-01-31 at 02:02, Anny Ballardini wrote:
> as an answer to chris and as a contribution to the thread, here's what i
> have just translated by onofri, it might be pertinent somehow, and i am
> quite close to the following, all baroque excluded:
>
> That is to say: the verbal form of his/her poem will be the manifested
> result of his/her method of inspiration and of evocation of the spiritual
> content of the Verb, of which the artist is worthy to become its manifestor.
> It is therefore clear that we do not speak of a technique of the poetic
> form, but of a technique of inspiration, of a conscious method to be able to
> produce the inside state of a spiritual revelation, through and thanks to
> articulated word. Consequently, the generic problem of a drama in relation
> to an epic or a lyric does not regard us, as much as the problem by itself
> of versification as opposed to prose, etc.
>
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