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> From: Benjamin Broening <[log in to unmask]>
> Reply-To: Benjamin Broening <[log in to unmask]>
> Date: Mon, 26 Aug 2002 10:28:21 -0400
> To: [log in to unmask]
> Subject: Call for works/paper (reminder) THIRD PRACTICE
>
> Reminder - the deadline for filling out the submission form is Sept. 2.
> Materials must be received by Sept. 9.
>
> ---
> Call for Works/Papers
>
> 2nd Annual Third Practice Festival of Electro-Acoustic Music
>
> The Music Department and Modlin Center for the Arts are pleased to
> announce the 2nd Annual Third Practice Festival of Electro-Acoustic Music
> to be held November 1-2, 2002 at the University of Richmond. Natasha
> Barrett will be the guest composer and will present a new work
> commissioned by Third Practice/Modlin Center for the Arts. In addition,
> clarinetist Arthur Campbell will be the guest performer. The composer of
> the best student work presented at the festival will receive a Third
> Practice/Modlin Center for the Arts commission for a new work.
>
>
>
> More information about the festival:
> http://www.music.richmond.edu/3p/.
>
> More information on Natasha Barrett:
> http://www.music.richmond.edu/3p/barrett
>
> More information on Arthur Campbell:
> http://www.music.richmond.edu/3p/campbell
>
>
>
>
> Performances
>
> Concerts will be presented in the Department of Music's Camp Concert Hall,
> and will be equipped for multi-channel sound diffusion with an 11-channel
> speaker configuration. Video playback will also be available on VHS,
> MiniDV, and DVD formats.
>
> More information on technical matters: http://igor.richmond.edu/3p/technical/
>
> Papers and Presentations
>
> Papers on all aspects of electro-acoustic music are welcome, including
> papers on technical, aesthetic, and analytic topics. Panel sessions,
> studio reports and lecture/demonstrations are also welcome. Papers by or
> about the music of women composers are especially encouraged.
> Submissions
>
>
> I. Music and Video Submissions
> [works for 2-8 channels on tape, works for performer(s) and tape,
> electronics, or computer, works for video] Composers are invited to submit
> no more three works to be considered for performance, although no more
> than one will be accepted for inclusion in the festival. Composition by
> advanced students are strongly encouraged. Composers whose works are
> selected for performance at the festival are required to attend. Composers
> are strongly urged to provide performers for their pieces (please include
> the name and contact information for your performer(s)).
>
>
> For each work you are submitting:
>
> * Complete the Online Submission form [REQUIRED] Submissions mailed
> without a tracking number included will not be reviewed. The
> submission page can be found at: http://igor.richmond.edu/3p/submit/
> * Print the tracking number page this website provides. Include it
> in your mailed materials.
> * Submit a recording of the work (CD, DAT, DA-88, DV, VHS) in your
> mailed materials.
>
>
> In your mailed materials you may also include:
>
> * A brief biography of the composer (200 words max)
> * Brief program notes for the composition (300 words max)
> * Self-addressed, stamped postcard for confirmation of receipt of
> materials
> * Self-addressed, stamped envelope for the return of materials
> (materials will not be returned otherwise)
>
>
> Supported formats include:
>
> * DAT, CD, DA-88, ADAT, MiniDV, S-VHS, VHS, DVD
> * Macintosh G4 733, 512 MB RAM (with MAX/MSP, Supercollider) MOTU
> 2408
> * Yamaha Disklavier (upright)
>
> (every effort will be made to accommodate other equipment needs)
>
>
>
> II. Paper Submissions
> [papers, panel discussions, lecture/demonstrations, studio reports]
> Speakers are invited to submit proposals for presentation at the festival.
> Papers and studio reports will be limited to 30 minutes and panel sessions
> to 90 minutes. The duration of lecture/demonstration presentations should
> be 30 minutes, but longer presentations are also welcome. All topics
> related to computer music are welcome. Topics related to women in
> technology are especially welcome. Electronic submissions are welcome.
>
> Please submit the following:
> * An abstract (no more than 500 words) of the proposed paper,
> lecture/demonstration/studio report.
> * Brief biography of the presenter (no more than 200 words)
> * For panel submissions also include
> * Names, contact information, and a brief bio for all panel members
>
> Paper Submissions may also be submitted on this web site using the Online
> Submission Form.
>
>
>
> III. Installation Submissions
> Composers and sound artists are invited to submit proposals for
> installations at the festival.
>
> Please submit the following:
> * A detailed description of the proposed installation.
> * A detailed list of equipment required (clearly indicating which
> equipment the composer will provide and that which Third Practice
> should provide).
> * A brief biography of the composer (200 words max)
> * Brief program notes for the composition (300 words max)
>
> Installation Submissions may also be completed on this web site, using the
> Online Submission Form. If you would like to submit an installation for
> the festival, please mail the tracking number the form provides along with
> some sample sounds and images.
>
> Deadlines
>
> Music and Installation submissions must be postmarked by Sept. 2, 2002 and
> received by Sept. 9, 2002. Accepted composers and presenters will be
> notified by September 16, 2002.
>
>
> Send submissions to:
> Benjamin Broening
> Music Department (Third Practice)
> University of Richmond
> Richmond VA 23173
>
> For further information:
>
> 804.289.8278 (phone)
> 804.287.6814 (fax)
> [log in to unmask]
> http://www.music.richmond.edu/people/faculty/displayFaculty.php3?id=bbroenin
> http://igor.richmond.edu/3p/
>
> **********************
>
> Benjamin Broening
> Music Department
> University of Richmond
> Richmond VA 23173
>
> 804 289 8278 (phone)
> 804 287 6814 (fax)
>
> **********************
>
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