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Subject:

Booking Reminder: CHArt Conference, 14-15 November 2002

From:

Sue Gollifer <[log in to unmask]>

Reply-To:

Sue Gollifer <[log in to unmask]>

Date:

Thu, 10 Oct 2002 14:06:28 +0100

Content-Type:

TEXT/PLAIN

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TEXT/PLAIN (86 lines)

IF YOU JOIN CHART AND BOOK BEFORE OCTOBER 15 THE CONFERENCE FEE IS REDUCED!!

Bookings received after 15 October will be subject to a £10 surcharge for
each day of the conference

CONFERENCE FEE
CHArt Member £70 (two days) £40 (one day)
Non-member: £100 (two days) £60 (one day)
CHArt Student Member: £40 (two days) £20 (one day)
Student Non-member £50 (two days) £25 (one day) 

The final programme for the eighteenth annual CHArt conference - Digital Art
History? Exploring Practice in a Network Society is now available and
included below. The
booking form is available online at www.chart.ac.uk/chart02-form.html

CHArt EIGHTEENTH ANNUAL CONFERENCE
THE BRITISH ACADEMY, 10 CARLTON HOUSE TERRACE, LONDON, SW1Y 5AH
DIGITAL ART HISTORY? Exploring Practice in a Network Society 
14th and 15th November 2002
- CONFERENCE PROGRAMME -
Following on from the CHArt Conference last year, this conference will look
further at the transformation History of Art is undergoing through
engagement with the digital revolution. While presenting developments in
teaching and resource management the conference will also consider
innovations in online art and new research methods. 
DAY ONE - THURSDAY NOVEMBER 14th
9.00 - 9.30 - registration
9.30 - 9.45 - INTRODUCTION WILL VAUGHAN
9.45 - 10.15 - KEYNOTE ADDRESS - Professor Tim Benton, The Open University.
SESSION ONE; TEACHING AND COMMUNICATION 
10.15 - 10.45 - tea
10.45 - 11.20 - John Calvelli, The Art Institute of Portland, Oregon, USA.
Art History, Design and the Digital Database.
11.20 - 11.55 - Andrew Hershberger, Bowling Green State University, Ohio,
USA. Using OHIO LINK's Digital Images in the Classroom.
11.55 - 12.30 - Emilie Gordenker, Gallery Systems, London, UK. Digital
Collaboration: Building a Kiosk for Digital Responses.
12.30 - 1.05 - Mary Pearce, Kingston University, UK. Animating Art History:
Digital Ways of Studying Colour in Abstract Art.
LUNCH - WITH DEMONSTRATIONS
SESSION TWO; ONLINE ART
2.30 -3.05
Lanfranco Aceti, Central St Martins School of Art, London, UK.
Getting Laid on the Procrustian Bed: Art Practice in the Digital World - One
Man Versus One Pixel.
3.05 - 3.40 - Melina Berkenwald, London, UK. Exploring the Use of Digital
Technologies in Art Practice.
3.40 - 4.10 - tea 
4.10 - 4.45 - Jonah Brucker-Cohen, Media Lab Europe, Dublin, Ireland.
Physical Web Interfaces.
4.45 - 5.20 - Michael Hammel, University of Aarhus, Denmark. Welcome to the
Pleasure Dome! Will There be Art in the Global Village?
DAY TWO - FRIDAY NOVEMBER 15th
SESSION THREE; ARCHIVES AND RESOURCES
9.30 - 10.05 - Mike Leggett, Sydney, Australia. PathScape - Audio-Visual
Indexing in a Landscape
10.05 - 10.40 - Rupert Shepherd, University of Sussex, UK. Databases and Art
History: The Material Renaissance Project.
10.40 - 11.10 - coffee
11.10 - 11.45 - Polly Christie, Visual Arts Data Service, Surrey Institute
of Art and Design, UK. Curating Digital Collections and Curating Collections
Digitally.
11.45 - 12.20 - Annette A Ward, Margaret E. Graham , K. Jonathan Riley,
Institute for Image Data Research, University of Northumbria at Newcastle,
UK. Nic Sheen Ibase Enhancing a Historical Digital Art Collection:
Evaluation of Content-Based Image Retrieval on Collage.
CHART AGM
LUNCH - WITH DEMONSTRATIONS
SESSION FOUR; METHODS AND PRACTICES
2.15 - 2.50 - Ida Engholm, The IT University of Copenhagen, Denmark. Digital
Style History: The Development of Graphic Design on the Internet.
2.50 - 3.25 - Dunja Kukovic, University of Ljubljana, Slovenia. New Media:
Its Aesthetic and Representation.
3.25 - 3.45 - tea
3.45 - 4.20 - Antonio Criminisi, Martin Kemp and Andrew Zisserman, Microsoft
Corporation , USA, and University of Oxford, UK. Bringing Pictorial Space to
Life: Computer Techniques for the Analysis of Paintings.
4.20 - 4.55 - Simon Rodwell, The Open University, UK. DVD and Visual
Resources. 
DEMONSTRATIONS 
Kirk Martinez, University of Southampton, Augmented Reality for Museum
Exhibits; Sue Gollifer, University of Brighton, Designing Britain 1945-1975.
The Visual Experience of Post-War Society; Jean Vacher, Surrey Institute of
Art and Design, The Crafts Study Centre Digitisation Project

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