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Subject: PMC 12.3 available
Date: Mon, 15 Jul 2002 15:33:52 -0400 (EDT)
From: PMC <[log in to unmask]>
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P.O.S.T.M.O.D.E.R.N C.U.L.T.U.R.E
A journal of critical thought on contemporary cultures
published by Johns Hopkins University Press with support
from the Institute for Advanced Technology in the
Humanities at the University of Virginia and from Vassar
College
Volume 12, Number 3 (May 2002)
http://muse.jhu.edu/journals/pmc/toc/pmc12.3.html
a.r.t.i.c.l.e.s
Rajeev S. Patke, Benjamin in Bombay? An Extrapolation
Lars Iyer, Blanchot, Narration, and the Event
Dorothy Barenscott, Grand Theory/Grand Tour: Negotiating
Samuel Huntington
in the "Grey Zone" of Europe
Carlos Rojas, Cannibalism and the Chinese Body Politic:
Hermeneutics and
Violence in Cross-Cultural Perception
r.e.v.i.e.w e.s.s.a.y.s
Joseph Tate, Radiohead's Antivideos: Works of Art in the Age
of Electronic
Reproduction
r.e.v.i.e.w.s
Arkady Plotnitsky, Demonstration and Democracy. A review of
Bruno Latour,
Pandora's Hope: Essays on the Reality of Science Studies.
Cambridge, MA:
Harvard UP, 1999.
Juan E. de Castro, The Deus Ex-Machina. A review of Jerry
Hoeg, Science,
Technology, and Latin American Narrative in the Twentieth
Century and
Beyond. Bethlehem, PA: Lehigh UP, 2000.
Kelly Pender, Maintaining the Other. A review of Simon
Critchley, Ethics,
Politics, and Subjectivity. London: Verso, 1999.
Samuel Gerald Collins, Information and the Paradox of
Perspicuity. A
review of Albert Borgmann, Holding On to Reality: The Nature
of
Information at the Turn of the Millennium. Chicago: U of
Chicago P, 2000.
William B. Warner, Computable Culture and the Closure of the
Media
Paradigm. A review of Lev Manovich, The Language of New
Media. Cambridge,
MA: MIT P, 2000.
Caroline Levine, Gursky's Sublime. A review of Peter
Galassi. Andreas
Gursky. New York: Museum of Modern Art, 2001.
and
Andreas Gursky. Exhibition. Museum of Modern Art, New York.
4 March - 15
May 2001.
....................................................
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