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>                       FILETIME=[F70CD3A0:01C0C537]
>Date:         Sun, 15 Apr 2001 00:08:24 +0100
>Reply-To:     Martin Anderson <[log in to unmask]>
>Sender:       Royal Musical Association List <[log in to unmask]>
>From:         Martin Anderson <[log in to unmask]>
>Subject:      First e-Newsletter from the International Forum for Suppressed
>              Music
>Comments: To: "[log in to unmask] Edu" <[log in to unmask]>,
>          Moderated Classical Music List <[log in to unmask]>,
>          Dmitri Shostakovich and other Russian Composers Discussion List
>          <[log in to unmask]>, MList <[log in to unmask]>,
>          Csmsd-L <[log in to unmask]>,
>          British Classical Music Discussion List <[log in to unmask]>,
>          Scandinavian Classical Music <[log in to unmask]>,
>          Music and Vision <[log in to unmask]>,
>          "[log in to unmask] Com"
>          <[log in to unmask]>
>Comments: cc: "[log in to unmask] Org. Uk" <[log in to unmask]>
>To:           [log in to unmask]
>
>Dear listers (with apologies for cross-posting)
>
>If you are interested in receiving the e-Newsletter of the International
>Forum for Suppressed Music (the first issue of which is about to be sent
>out), giving information of concerts, broadcasts, conferences, publications
>and other matters to do with music suppressed by the Third
>Reich, please read on.
>
>The IFSM was established in 1999 by the Jewish Music Institute, SOAS,
>University of London, to deal, in the first instance, with music banned in
>the Nazi era (the ambit will later be extended to music under other
>totalitarian regimes). The President is Sir Simon Rattle and the Executive
>Committee includes Michael Haas, Executive Producer for the Decca series
>'Entartete Musik', Erik Levi, author of 'Music in the Third Reich' and
>Martin Anderson, journalist, writer and publisher. In the year 2000, the
>IFSM, together with the Department of Music at SOAS, held a highly
>influential international conference, focusing on the students of Franz
>Schreker in Berlin from 1920 to 1933 with speakers invited from the UK,
>Europe and America.
>
>The IFSM extends an invitation to you to join in two ways:  if you would
>like to receive the quarterly newsletter, or if you would like to join a
>more interactive mailing list where you will also have the opportunity of
>asking questions, contributing to the general knowledge and informing IFSM
>of activities that you are promoting or know about, then please email
>[log in to unmask] and put 'subscribe to newsletter' or 'subscribe to
>interactive list' in the subject line or in the body of the email, and tell
>us something about yourself. Equally, if you know someone else who might
>like to receive this, please feel free to forward this to them or introduce
>us to them. The forthcoming newsletter gives information on:
>1. IFSM performances 2001
>2. Publications
>3. Goldschmidt centenary 2003
>4. 'Exile and Suppressed Music' in Conference 20th Century Music,
>Goldsmith's College
>5. Entartete Musik Exhibition in London available for loan
>6. JMI Oral History Project
>7. 'Musica Prohibida', Barcelona, November 2000 -- report by Michael Haas
>8. Conference, Charlottesville VA, USA March 2001 -- report by Michael Haas
>and Erik Levi
>9. Performance Calendar: concerts of music by some suppressed composers
>worldwide
>10. Information about the JMI International Forum for Suppressed Music,
>President Sir
>Simon Rattle
>
>
>Martin Anderson
>Toccata Press
>www.drakeint.co.uk/toccata-press

>