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Subject:

(Fwd) [IASPM-LIST] 2nd CALL FOR PAPERS IASPM-LA

From:

"Julia C.Bishop" <[log in to unmask]>

Reply-To:

News and discussion relevant to the study of popular / folk / traditional b <[log in to unmask]>

Date:

Fri, 10 Aug 2001 12:34:59 +0100

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (190 lines)

------- Forwarded message follows -------
To:                     [log in to unmask] (Subscribers of iaspm-list)
From:                   Juan-Pablo Gonzalez <[log in to unmask]>
Subject:                [IASPM-LIST] 2nd CALL FOR PAPERS IASPM-LA
Date sent:              Thu, 9 Aug 2001 11:09:01 -0500
Send reply to:          [log in to unmask] (Subscribers of iaspm-list)

[ Double-click this line for list subscription options ]

SECOND CALL FOR PAPERS FOR THE IV CONFERENCE OF THE LATIN AMERICAN BRANCH
OF THE
INTERNATIONAL ASSOCIATION FOR THE STUDY OF POPULAR MUSIC

With the aim of providing a space for the dissemination of research
which, from within different disciplines, investigates popular musics
in Latin America and the Caribbean, we invite your participation in
the IV Conference of the Latin American Branch of the International
Association for the Study of Popular Music (IASPM-LA), which will be
held in the National Centre for the Arts (CENART) in Mexico City from
the 2nd to the 5th of April 2002.

The conference will be structured around four panels based on broad
themes, and six workshops on more specialized areas. We are also
planning to organize round table discussions with the participation of
personalities from the world of Mexican poopular music practice.

The panels will be split into 20 minute papers followed by a
discussion open to the floor. The workshops will provide a space for
specialists to get together and reflect based on a group dynamic of
exchanging knowledge and experiences. Papers given in the workshops
may last up to 30 minutes.

PANELS

1. Popular music and the mass media
This panel will examine the phenomena of continuity and change in
popular culture as well as the paradigms and cultural models spread by
technology, the culture industry and forms of consumption.

2. Centre and periphery
This panel will examine the culture industry and the
political/economic uses of the discourses of popular musics. It will
deal with the spaces and transitions of those musics, examining
hybridty, mestizaje, transformations, extinctions, resurrections,
along with the phenomena of colonialism, neocolonialism, emancipation
and dependency.

3. Popular music and identity
This panel will examine the expression of the body, gender, age
insertion and their languages in popular music.  It is also pertinent
to consider the study of popular musics in relation to memory,
problems of patrimony, identity, revival, nostalgia and the
possibilities of remembering as a resource and as a business.

4.Methodological proposals.
A wide area covering the articulation of sepcific discourses and the
development of a willingness to experiment with a polyglot approach to
the study of popular musics. We hope for concrete contributions of
proposals for a way forward.

WORKSHOPS

1. Analysis in popular music
Debate around approaches, methodologies and concepts applicable to
musical, literay and performative analyses of popular music. We
recommend the presentation of theories and/or their application
through case studies.

2. Studies of musical consumption
We are interested in bringing together diverse research experiences in
relation to methodologies and techniques, consideration of the market
and the imaginaries of consumption with the aim of broadening
knowledge horizons in this field.

3. Latin American cumbia
The aim is to share academic experiences in relation to the extension
of cumbia to the majority of Latin American countries across
sociocultural groups in order to examine visions and methods to
discover differences and similarities.

4. Cartography of rock in Latin America
Comparative analysis of the practice of rock in Latin America taking
into account its specificities and variants according to common
parameters set out by chronological, morphological, aesthetic and
sociological criteria.

5. Popular music and education
We wish to explore the presence of popular music as a pedagogical base
within the university sector, its role in conservatories, in social
movements and informal pedagogy. We are also interested in musical
pedagogy as cultural politics and the interaction between erudite and
popular musics.

6. Popular music and social change
The aim is to stimulate reflection on the theme of change and social
conflict and its relation to songs with explicit or implicit political
connotations in order to pinpoint factors which can enrich and
illuminate critical debate within the social sciences and recent
history of Latin America.

REGISTRATION

Those wishing to particpate in a panel/workshop should submit
proposals by  AUGUST 27  2001. The proposal should consist of:

1. Title and abstract of 200 words in PORTUGUESE, SPANISH or ENGLISH
2. Name of panel/workshop.
3. Short curriculum of one page including name, institutional
affiliation, profession, postal and e-mail addresses.

Proposals may be sent by e-mail to:

[log in to unmask]

Alternatively they may be sent on diskette with a hard copy to:
Claudio Rolle, Programa de Estudios Histórico Musicológicos,
Universidad Católica de Chile, Av. Jaime Guzmán 3300, Providencia,
Santiago. Chile.

The Academic Committee will select the papers and confirm acceptance
>from the 1 October 2001. The Committee members are:

Claudio Rolle, Instituto de Historia, Pontificia Universidad Católica
de Chile  (coordinator)
Alejandra Cragnolini, Instituto Nacional de
Musicología Carlos Vega, Argentina
Adrián de Garay, Universidad Autónoma Metropolitana, Mexico
Alberto Ikeda, Instituto de Artes, Universidad Estadual Paulista, Brazil

The Conference Organizing Committee is:

José Antonio Robles, CENIDIM, Mexico
Adrián de Garay,  Universidad Autónoma Metropolitana, Mexico

The second call which will be issued in July will contain logistical
information about the conference.

Those interested in joining the Latin American branch of IASPM should
contact the branch president, Juan Pablo González at:
[log in to unmask]
or:
Instituto de Música, Universidad Católica, Casilla 316, Santiago
22, Chile, stating the wish to join and including personal contact
information. The annual subscription is 10 dollars.

Dr. Juan Pablo González
Presidente
Rama  Latinoamericana IASPM
Instituto de Música
Universidad Católica de Chile
Av. Jaime Guzman 3300
Santiago
CHILE
Fax  (562) 686-5250
Fono (562) 686-5261/5224




By replying to this message you are sending mail to the entire list. To
send a private e-mail message to the sender make sure to reply to their
address and not [log in to unmask]




By replying to this message you are sending mail to the entire list. To send a private e-mail messa
ge to the sender make sure to reply to their address and not [log in to unmask]
------- End of forwarded message -------



Julia C. Bishop (Dr)
National Centre for English Cultural Tradition
University of Sheffield
Sheffield  S10 2TN
U.K.

Tel: (Direct Line) 0114 222 6295 (A FURTHER NEW NUMBER!)
(NATCECT Office) 0114 222 6296
EMAIL: [log in to unmask]

*******************************************************
*New publication!                                     *
*PLAY TODAY IN THE PRIMARY SCHOOL PLAYGROUND          *
*LIFE, LEARNING AND CREATIVITY                        *
*Edited by Julia C. Bishop and Mavis Curtis           *
*See http://195.89.185.89/bd.cgi/openup/isb?0335207154*
*******************************************************

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